In 2000 Ivo Rosario published a monograph whose title –“Art and propaganda. Charles IV of Bohemia” – already indicates the specific of the reign of Charles IV, Holy Roman Emperor (1316-1378): the absorption of art for political means. The term “propaganda”, with its negative connotation in terms of influencing the attitude of the addressees of these artistic monuments, should be considered in this context despite its undoubtedly also manipulative role or effect rather from the perspective of ..
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
textHans von Aachen, court artist to the Habsburg Holy Roman Emperor Rudolf II in Prague, created a ...
This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. D...
In 2000 Ivo Rosario published a monograph whose title –“Art and propaganda. Charles IV of Bohemia” –...
Great Hall with armorial frieze in the so-called Gozzoburg in Krems (View to the Hoher Markt) The pa...
Bernardino Conti, A Gentleman of the Trivulzio Family c.1510, Detroit Institute of the Arts Gian Gia...
FULCO Daniel, Exuberant Apotheoses—Italian Frescoes in the Holy Roman Empire : Visual Culture and Pr...
Even though the Eternal City today looks like a city particularly rich in heraldry, this first impre...
This article reassesses the reputation enjoyed by Charles IV of Luxemburg, emperor and king of Bohem...
Sant'Angelo Romano (ca. 25 km von Rom in der Region Latium gelegen), Castello Orsini-Cesi, Empfangsr...
This thesis brings to light the extraordinary artistic transformation of heraldic imagery in German-...
Civitas Florentiae under the Madonna (or Allegory) of Mercy (Bigallo Museum, Florence, Fresco, post ...
Remembering Franz Joseph I or The Empire Strikes BackThe paper tries to describe the multiple ways o...
Bohemian art of the second half of the fourteenth century is closely associated with the personality...
Malta fragment found by excavations in the Exedra of the Crypta Balbi and bearing thearms of Giacomo...
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
textHans von Aachen, court artist to the Habsburg Holy Roman Emperor Rudolf II in Prague, created a ...
This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. D...
In 2000 Ivo Rosario published a monograph whose title –“Art and propaganda. Charles IV of Bohemia” –...
Great Hall with armorial frieze in the so-called Gozzoburg in Krems (View to the Hoher Markt) The pa...
Bernardino Conti, A Gentleman of the Trivulzio Family c.1510, Detroit Institute of the Arts Gian Gia...
FULCO Daniel, Exuberant Apotheoses—Italian Frescoes in the Holy Roman Empire : Visual Culture and Pr...
Even though the Eternal City today looks like a city particularly rich in heraldry, this first impre...
This article reassesses the reputation enjoyed by Charles IV of Luxemburg, emperor and king of Bohem...
Sant'Angelo Romano (ca. 25 km von Rom in der Region Latium gelegen), Castello Orsini-Cesi, Empfangsr...
This thesis brings to light the extraordinary artistic transformation of heraldic imagery in German-...
Civitas Florentiae under the Madonna (or Allegory) of Mercy (Bigallo Museum, Florence, Fresco, post ...
Remembering Franz Joseph I or The Empire Strikes BackThe paper tries to describe the multiple ways o...
Bohemian art of the second half of the fourteenth century is closely associated with the personality...
Malta fragment found by excavations in the Exedra of the Crypta Balbi and bearing thearms of Giacomo...
In 1515, Emperor Maximilian I of the Holy Roman Empire, set forth to create a triumphal arch unlike ...
textHans von Aachen, court artist to the Habsburg Holy Roman Emperor Rudolf II in Prague, created a ...
This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. D...