The word “metal” is like an umbrella: it encompasses a set of musical sub-genres that are known as heavy metal by the common sense. Although grouped under the same term, these sub-genres differ in aspects of ideology, to a greater or lesser extent, resulting therefore in different rules of sound, aesthetics and socialization among fans. One’s lack of emic experience may be denounced by details and filigrees. Definitely, it is not a task for beginners. Not too long ago, in the early 2000’s, re..
After Bomb Culture, Jeff Nuttall’s valediction to 1960s relentless anti-system experimentation, what...
This chapter offers a critical analysis of Walser’s celebrated text, particularly the role of method...
I recall been shown a proof copy of this volume, by one of its contributors, at the self-proclaimed,...
Edited volumes are important in the development of academic sub-disciplines. They are also valuable ...
The use of ‘genre’ as an idea in the production and consumption of music has clear benefits for the ...
Extreme Metal musical genres have challenged conventional notions of 'music' by developing an impene...
The intensity, complexity and energy of performance, combined with the power and density of the tone...
Extreme metal music, with its consummate loudness and distortion, and intransigent culture of transg...
Despite the longevity, cultural relevance and global popularity of heavy metal, it has been noticeab...
This research posits that heavy metal music is part of what Elias refers to as a „civilising process...
In a striking series of recent posts, Keith Kahn-Harris has reflected on the question of Metal After...
The power inherent in metal is well known to aficionados of the music and has been well documented i...
Réak is the Bandung subregional variant of the “horse trance dances”: a popular group of animist per...
Profiles of three fans of heavy metal music are presented, in order to examine the definition and bo...
The field of metal music studies is in the ascendancy and has established itself as a legitimate dom...
After Bomb Culture, Jeff Nuttall’s valediction to 1960s relentless anti-system experimentation, what...
This chapter offers a critical analysis of Walser’s celebrated text, particularly the role of method...
I recall been shown a proof copy of this volume, by one of its contributors, at the self-proclaimed,...
Edited volumes are important in the development of academic sub-disciplines. They are also valuable ...
The use of ‘genre’ as an idea in the production and consumption of music has clear benefits for the ...
Extreme Metal musical genres have challenged conventional notions of 'music' by developing an impene...
The intensity, complexity and energy of performance, combined with the power and density of the tone...
Extreme metal music, with its consummate loudness and distortion, and intransigent culture of transg...
Despite the longevity, cultural relevance and global popularity of heavy metal, it has been noticeab...
This research posits that heavy metal music is part of what Elias refers to as a „civilising process...
In a striking series of recent posts, Keith Kahn-Harris has reflected on the question of Metal After...
The power inherent in metal is well known to aficionados of the music and has been well documented i...
Réak is the Bandung subregional variant of the “horse trance dances”: a popular group of animist per...
Profiles of three fans of heavy metal music are presented, in order to examine the definition and bo...
The field of metal music studies is in the ascendancy and has established itself as a legitimate dom...
After Bomb Culture, Jeff Nuttall’s valediction to 1960s relentless anti-system experimentation, what...
This chapter offers a critical analysis of Walser’s celebrated text, particularly the role of method...
I recall been shown a proof copy of this volume, by one of its contributors, at the self-proclaimed,...