Add to ORKGVINCENT Susan J. The anatomy of fashion : dressing the body from the renaissance to today Oxford : Berg, 2009, XVI-234 p. ISBN 978-1-8452-0764-9 MOND 695 Résumé éditeur : Clothes take the ordinary human body and fashion it into something remarkable. Born to the same anatomical legacy, each generation has used garments to shape itself in the image of its own particular desires. Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past...
RIBEIRO Aileen Clothing Art : the visual culture of fashion, 1600-1914 New Haven : Yale University P...
The silhouette of the garment is perhaps one of the most important parts of creating a piece. It’s t...
A panel co-chaired with Leah Durner. “Where are we to put the limit between the body and the worl...
Certainly the Western fashion silhouette has never been static, with hemlines and necklines morphing...
‘You have to suffer fashion,’ has been a much used phrase throughout the history of fashion. Degrees...
The foundation of modern fashion has its roots in history, stemming from the very cloth made thousan...
The submitted thesis will not be interested in the personality of people which are interested in the...
Clothing as an imprint of a thought that moulds the body: testi di Maria Luisa Frisa, Paola Colaiaco...
Barbara Graf"Anatomical Clothes"To distinguish between the abstract act of covering the body and its...
This book examines public exhibitions of human anatomy from their first appearance in the early 1700...
Fashion and clothing construct, reproduce and challenge all kinds of identity and they do so visuall...
When Roland Barthes wrote The Fashion System, he sought to analyze the products of written civilizat...
There are fashions not just in dress but in all aspectsf life, from the time and manner of taking me...
This paper aims to investigate how the body has been distorted, to conform to the demands of fashion...
Fashion is a system through which individual and collective representations of body and identity are...
RIBEIRO Aileen Clothing Art : the visual culture of fashion, 1600-1914 New Haven : Yale University P...
The silhouette of the garment is perhaps one of the most important parts of creating a piece. It’s t...
A panel co-chaired with Leah Durner. “Where are we to put the limit between the body and the worl...
Certainly the Western fashion silhouette has never been static, with hemlines and necklines morphing...
‘You have to suffer fashion,’ has been a much used phrase throughout the history of fashion. Degrees...
The foundation of modern fashion has its roots in history, stemming from the very cloth made thousan...
The submitted thesis will not be interested in the personality of people which are interested in the...
Clothing as an imprint of a thought that moulds the body: testi di Maria Luisa Frisa, Paola Colaiaco...
Barbara Graf"Anatomical Clothes"To distinguish between the abstract act of covering the body and its...
This book examines public exhibitions of human anatomy from their first appearance in the early 1700...
Fashion and clothing construct, reproduce and challenge all kinds of identity and they do so visuall...
When Roland Barthes wrote The Fashion System, he sought to analyze the products of written civilizat...
There are fashions not just in dress but in all aspectsf life, from the time and manner of taking me...
This paper aims to investigate how the body has been distorted, to conform to the demands of fashion...
Fashion is a system through which individual and collective representations of body and identity are...
RIBEIRO Aileen Clothing Art : the visual culture of fashion, 1600-1914 New Haven : Yale University P...
The silhouette of the garment is perhaps one of the most important parts of creating a piece. It’s t...
A panel co-chaired with Leah Durner. “Where are we to put the limit between the body and the worl...