Images of the Body: First World War and its Aftermath Deutsches Historisches Institut in Rom, Via Aurelia Antica, 391, I-00165 Roma, June 9 - 10, 2016 This workshop aims at examining the centrality of the body in the narration, representation, experience and understanding of the First World War. It will take into account individual bodies in war, as they were compelled in the trenches, wounded, dispersed, exhausted, mutilated, or killed. As well, it will consider how those bodies came to symb..
In war and its aftermath, new relationships are forged through acts of wounding and caring for the w...
Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem t...
The memory of the Western Front still seems to haunt British society nearly 90 years after the Armis...
In this paper, the author analyses the representation of wounded bodies in a diverse corpus of texts...
War is fundamentally an embodied experience, "war occupies innumerable bodies in a multitude of ways...
One of the most significant aspects of recent historiographical work on war has been the attention p...
This paper seeks to provide insight into contemporary creative practice-based research, exploring th...
Taking as its field of enquiry the trenches of the First World War, this chapter explores the proces...
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Eit...
Twentieth-century war is a unique cultural phenomenon and the last two decades have seen significant...
The commemoration of the First World War has given rise to a proliferation of images, images from ar...
Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem t...
SIGLEAvailable from British Library Document Supply Centre- DSC:DX187161 / BLDSC - British Library D...
The First World War created disfigured and mutilated bodies on a grand scale. Never before had the b...
In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:DX187090 / BLDSC - British ...
In war and its aftermath, new relationships are forged through acts of wounding and caring for the w...
Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem t...
The memory of the Western Front still seems to haunt British society nearly 90 years after the Armis...
In this paper, the author analyses the representation of wounded bodies in a diverse corpus of texts...
War is fundamentally an embodied experience, "war occupies innumerable bodies in a multitude of ways...
One of the most significant aspects of recent historiographical work on war has been the attention p...
This paper seeks to provide insight into contemporary creative practice-based research, exploring th...
Taking as its field of enquiry the trenches of the First World War, this chapter explores the proces...
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Eit...
Twentieth-century war is a unique cultural phenomenon and the last two decades have seen significant...
The commemoration of the First World War has given rise to a proliferation of images, images from ar...
Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem t...
SIGLEAvailable from British Library Document Supply Centre- DSC:DX187161 / BLDSC - British Library D...
The First World War created disfigured and mutilated bodies on a grand scale. Never before had the b...
In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:DX187090 / BLDSC - British ...
In war and its aftermath, new relationships are forged through acts of wounding and caring for the w...
Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem t...
The memory of the Western Front still seems to haunt British society nearly 90 years after the Armis...