The significance of the god Mercury to the drama of the Virgilian Aeneid has not been fully appreciated. Careful consideration of the several appearances of the god in the epic reveals that Mercury is a key figure not only in the Virgilian evocation of the rebellion of the giants against Jupiter, but also in the development of the poet’s presentation of the triumph of the Italian over the Trojan in the final ethnic disposition of affairs in Latium, and that on the mortal plane the god has special significance to a more nuanced appreciation of the importance of the heroine Camilla in the events of the war in Italy.L’importance du dieu Mercure au drame de l’Énéide virgilien n’a pas été pleinement appréciée. Un examen attentif des plusieurs ap...
The appearances of the goddess Night in Virgil’s Aeneid can be profitably studied as a cipher to app...
International audienceTextual fragments from the Georgics and the Aeneid are woven into Catalepton X...
In Aeneid’s book IV, Virgil makes use of elegiac topics while narrating Dido and Aeneas’ ill-fated l...
The significance of the god Mercury to the drama of the Virgilian Aeneid has not been fully apprecia...
The significance of the god Mercury to the drama of the Virgilian Aeneid has not been fully apprecia...
For the Romans, Mercury held some particular narrative and socio-cultural implications during the Fi...
As emphasized in the proemium, the relationships between men and god are essential in the Aeneid. As...
The appearances of the god Apollo in Virgil’s Aeneid have been studied with profit as individual epi...
In this paper we follow Ovid’s treatment of the second half of the Aeneid in Met. 14, 445-608. The f...
Some introductory remarks on the subject-matter of the Aeneid, and on the immediate historical conte...
The focus of this paper is Jupiter’s first prophecy scene from the Aeneid. This passage has most oft...
<p><span>In <em>Aeneid</em>’s book IV, Virgil makes use of elegiac topics while narrating Dido and A...
This is an investigation of an aspect of Virgil's Aeneid—ultimately, of the ways in which the poet g...
This commentary considers Book XI of Virgil\u27s Aeneid as the key book in which the poet explicates...
Virgil’s Aeneid is one of the most influential works in the Latin literary tradition and moreover, i...
The appearances of the goddess Night in Virgil’s Aeneid can be profitably studied as a cipher to app...
International audienceTextual fragments from the Georgics and the Aeneid are woven into Catalepton X...
In Aeneid’s book IV, Virgil makes use of elegiac topics while narrating Dido and Aeneas’ ill-fated l...
The significance of the god Mercury to the drama of the Virgilian Aeneid has not been fully apprecia...
The significance of the god Mercury to the drama of the Virgilian Aeneid has not been fully apprecia...
For the Romans, Mercury held some particular narrative and socio-cultural implications during the Fi...
As emphasized in the proemium, the relationships between men and god are essential in the Aeneid. As...
The appearances of the god Apollo in Virgil’s Aeneid have been studied with profit as individual epi...
In this paper we follow Ovid’s treatment of the second half of the Aeneid in Met. 14, 445-608. The f...
Some introductory remarks on the subject-matter of the Aeneid, and on the immediate historical conte...
The focus of this paper is Jupiter’s first prophecy scene from the Aeneid. This passage has most oft...
<p><span>In <em>Aeneid</em>’s book IV, Virgil makes use of elegiac topics while narrating Dido and A...
This is an investigation of an aspect of Virgil's Aeneid—ultimately, of the ways in which the poet g...
This commentary considers Book XI of Virgil\u27s Aeneid as the key book in which the poet explicates...
Virgil’s Aeneid is one of the most influential works in the Latin literary tradition and moreover, i...
The appearances of the goddess Night in Virgil’s Aeneid can be profitably studied as a cipher to app...
International audienceTextual fragments from the Georgics and the Aeneid are woven into Catalepton X...
In Aeneid’s book IV, Virgil makes use of elegiac topics while narrating Dido and Aeneas’ ill-fated l...