The PENELOPE project aims at integrating ancient weaving into the history of science and technology, especially digital technology. It encompasses the investigation of ancient sources (texts and images) as well as practices and technological principles of ancient weaving. Based on the fact that weaving is a digital art/technology from the very beginning, we explore the technological principles and the tacit knowledge involved in the patterning process by setting up a PENELOPEan laboratory whe..
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project o...
In the frame of the PENELOPE project my aim is to explore instances of weaving imagery in archaic an...
The complex chaîne opératoire of ancient textile production in various stages has been frequently di...
Weaving is presented in this paper with relation to the four key categories of computational thinkin...
What does an ancient weaver know, when she knows how to weave? How is this complex knowledge graspab...
Weaving is presented in this paper with relation to the four key categories of computational thinkin...
Our PENELOPE project looks to integrate ancient weaving into the history of technology. One part of ...
While processor speeds and the use of computation in our society have increased enormously, it is si...
On the occasion of the “AWAY | TAKIY ‒ Raise the Curtain for Weaving” exhibition, we brought togethe...
A short essay on the philosophical dimension of weaving as an epistemic instrument and its relation ...
46 pages. A thesis presented to the Department of Architecture and Allied Arts and the Clark Honors ...
This Friday morning a new weaving project took off in our laboratory at the Museum for Plaster Casts...
The study of textiles can be developed over time and space, and over history and structure. This iss...
A famous vase from Chiusi depicts Penelope in front of a patterned fabric. The video demonstrates ho...
A famous vase from Chiusi depicts Penelope in front of a patterned fabric. The video demonstrates ho...
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project o...
In the frame of the PENELOPE project my aim is to explore instances of weaving imagery in archaic an...
The complex chaîne opératoire of ancient textile production in various stages has been frequently di...
Weaving is presented in this paper with relation to the four key categories of computational thinkin...
What does an ancient weaver know, when she knows how to weave? How is this complex knowledge graspab...
Weaving is presented in this paper with relation to the four key categories of computational thinkin...
Our PENELOPE project looks to integrate ancient weaving into the history of technology. One part of ...
While processor speeds and the use of computation in our society have increased enormously, it is si...
On the occasion of the “AWAY | TAKIY ‒ Raise the Curtain for Weaving” exhibition, we brought togethe...
A short essay on the philosophical dimension of weaving as an epistemic instrument and its relation ...
46 pages. A thesis presented to the Department of Architecture and Allied Arts and the Clark Honors ...
This Friday morning a new weaving project took off in our laboratory at the Museum for Plaster Casts...
The study of textiles can be developed over time and space, and over history and structure. This iss...
A famous vase from Chiusi depicts Penelope in front of a patterned fabric. The video demonstrates ho...
A famous vase from Chiusi depicts Penelope in front of a patterned fabric. The video demonstrates ho...
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project o...
In the frame of the PENELOPE project my aim is to explore instances of weaving imagery in archaic an...
The complex chaîne opératoire of ancient textile production in various stages has been frequently di...