Barbara Przybyszewska-Jarmińska participated in the International Musicological Conference The Reception of Small-Scale Motet in central and Eastern Europe in The Early Baroque Era, Padua, 8 June 2016 (organized by Università degli Studi di Padova) with a paper ‘The beginnings of small-scale sacred concerto in the Commonwealth of Poland and Lithuania’
International Musicological Conference Music Migration in the Early Modern Age: Centres and Peripher...
The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 ...
In the thesis there are general information about the Prague Spring, the International Music Competi...
Barbara Przybyszewska-Jarmińska participated in the International Musicological Conference The Recep...
Barbara Przybyszewska-Jarmińska participated in the International Musicological Conference Musicolog...
„Habsburg Queens of Poland and music at the Polish royal court at the end of 16th and in the 17th ce...
Barbara Przybyszewska-Jarmińska gave an open lecture ‘Music theory at the Jesuit Academy in Vilnius ...
A fragment of a text ‘A Symphony of International Voices and Instruments in Poland’ by Barbara Przyb...
Open rehearsal of a concert Music at the Polish royal court in the 17th century (Il Tempo Baroque En...
Barbara Przybyszewska-Jarmińska, invited to collaborate with the HERA project „Marrying Cultures: Qu...
Barbara Przybyszewska-Jarmińska participated in the workshop The Lasting Effects of Early Modern Cul...
The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth is the research ...
On 16–18 November 2009 a scientific conference Between Wrocław and Lviv. Art in Silesia, Lesser Pola...
The Department of Musicology at Palacký University in Olomouc is holding an international and interd...
The aim of the work is to shed light on the development of Lithuanian church music in the 16th and 1...
International Musicological Conference Music Migration in the Early Modern Age: Centres and Peripher...
The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 ...
In the thesis there are general information about the Prague Spring, the International Music Competi...
Barbara Przybyszewska-Jarmińska participated in the International Musicological Conference The Recep...
Barbara Przybyszewska-Jarmińska participated in the International Musicological Conference Musicolog...
„Habsburg Queens of Poland and music at the Polish royal court at the end of 16th and in the 17th ce...
Barbara Przybyszewska-Jarmińska gave an open lecture ‘Music theory at the Jesuit Academy in Vilnius ...
A fragment of a text ‘A Symphony of International Voices and Instruments in Poland’ by Barbara Przyb...
Open rehearsal of a concert Music at the Polish royal court in the 17th century (Il Tempo Baroque En...
Barbara Przybyszewska-Jarmińska, invited to collaborate with the HERA project „Marrying Cultures: Qu...
Barbara Przybyszewska-Jarmińska participated in the workshop The Lasting Effects of Early Modern Cul...
The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth is the research ...
On 16–18 November 2009 a scientific conference Between Wrocław and Lviv. Art in Silesia, Lesser Pola...
The Department of Musicology at Palacký University in Olomouc is holding an international and interd...
The aim of the work is to shed light on the development of Lithuanian church music in the 16th and 1...
International Musicological Conference Music Migration in the Early Modern Age: Centres and Peripher...
The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 ...
In the thesis there are general information about the Prague Spring, the International Music Competi...