The relationship of the art of Byzantium with Western Europe has been a topic of scholarly inquiry since the mid-nineteenth century. The early scholarship, written by Western Europeans looking East, has several features in common. Byzantine art is understood to be early in date, different or foreign, and thus primitive. Because Byzantine art is assumed to be unchanging, it could provide important evidence, it was thought, about the origins of Christian art. As the Romantic antiquarian Adolphe..
The research is placed within the complex matter of the individuation and the comprehension of the m...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
Walter Christopher. Kurt Weitzmann, Art in the Medieval West and its Contacts with Byzantium.. In: R...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Traditional twentieth-century histories and art historical narratives point to a series of revivals ...
Abstract: The authors reflect on methodological and terminological problems related to the critical ...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
In the millenary artistic development in the Mediterranean cultural area, from the 6th to the 15th c...
From Byzantium to the Low Countries: via Italian cities such as Venice or Siena, through Crete, or B...
Constantinople, the capital of the Byzantine Empire, fell to the Ottomans on May 29, 1453, a date th...
The paper aims at investigating the role of those aesthetic theories that are at the origin of the h...
During the 19th century decorative arts, literature, architecture and other fields of cultural produ...
REB 42 1984 France p. 265-287 Ch. Walter, Expressionism and Hellenism. — The author examines some o...
This essay focuses on the role of the art press in the advancement of the research on Byzantine art ...
Byzantium and the Muslim world coexisted for more than eight centuries as rivals and partners. The e...
The research is placed within the complex matter of the individuation and the comprehension of the m...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
Walter Christopher. Kurt Weitzmann, Art in the Medieval West and its Contacts with Byzantium.. In: R...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Traditional twentieth-century histories and art historical narratives point to a series of revivals ...
Abstract: The authors reflect on methodological and terminological problems related to the critical ...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
In the millenary artistic development in the Mediterranean cultural area, from the 6th to the 15th c...
From Byzantium to the Low Countries: via Italian cities such as Venice or Siena, through Crete, or B...
Constantinople, the capital of the Byzantine Empire, fell to the Ottomans on May 29, 1453, a date th...
The paper aims at investigating the role of those aesthetic theories that are at the origin of the h...
During the 19th century decorative arts, literature, architecture and other fields of cultural produ...
REB 42 1984 France p. 265-287 Ch. Walter, Expressionism and Hellenism. — The author examines some o...
This essay focuses on the role of the art press in the advancement of the research on Byzantine art ...
Byzantium and the Muslim world coexisted for more than eight centuries as rivals and partners. The e...
The research is placed within the complex matter of the individuation and the comprehension of the m...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
Walter Christopher. Kurt Weitzmann, Art in the Medieval West and its Contacts with Byzantium.. In: R...