Le volume est issu d’un colloque qui s’est tenu à Sydney en 2006, il porte sur «the relationship between surviving manuscripts and early printed books and the reality of the medieval and Renaissance classroom» (p. 3) et rassemble dix-huit contributions. Plusieurs concernent l’aire française, d’autres ont un intérêt qui dépasse leur objet ponctuel: Gabriele Knappe, Manuscript Evidence of the Teaching of the Language Arts in Late Anglo-Saxon and Early Norman England, with Particular Regard to t..
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
This paper examines the role played by literary anthologies in the present-day range of school knowl...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
Feros Ruys, Juanita, John O. Ward & Mélanie Heyworth, eds., The classics in the medieval and Renaiss...
This volume explores the production and use of medieval manuscripts that contain classical Latin tex...
This article highlights indications of the role of the classics in the teaching of grammar, rhetoric...
Lemaître (Jean-Loup), The classics in monastic libraries in the South of France according to medieva...
(print) xiii, 367 p. : facsims. ; 22 cm.Why was the Poetria nova so popular? -- The Poetria nova as ...
This volume explores the production and use of medieval manuscripts that contain classical Latin tex...
In this PDF textbook from the Metropolitan Museum of Art, works in the Museum's collection that embo...
Ian Colvin and Lisa Hay present the 'University of Cambridge School Classics' Project which has been...
Der literarische Korpus, der traditionell im Sekundar- und Hochschulunterricht im Französischunterri...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
This paper examines the role played by literary anthologies in the present-day range of school knowl...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
Feros Ruys, Juanita, John O. Ward & Mélanie Heyworth, eds., The classics in the medieval and Renaiss...
This volume explores the production and use of medieval manuscripts that contain classical Latin tex...
This article highlights indications of the role of the classics in the teaching of grammar, rhetoric...
Lemaître (Jean-Loup), The classics in monastic libraries in the South of France according to medieva...
(print) xiii, 367 p. : facsims. ; 22 cm.Why was the Poetria nova so popular? -- The Poetria nova as ...
This volume explores the production and use of medieval manuscripts that contain classical Latin tex...
In this PDF textbook from the Metropolitan Museum of Art, works in the Museum's collection that embo...
Ian Colvin and Lisa Hay present the 'University of Cambridge School Classics' Project which has been...
Der literarische Korpus, der traditionell im Sekundar- und Hochschulunterricht im Französischunterri...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...
This paper examines the role played by literary anthologies in the present-day range of school knowl...
From Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual dis...