Entretien avec Jennifer K. Bates, Sophie Stone and Erin Siobahn Hutching, trois des quatre artistes principaux du Deaf and Hearing Ensemble, une companie qui utilise le bilinguisme (anglais et langue des signes britannique) le biculturalisme (malentendants et entendants) pour créer une forme théâtrale à la fois artistique et accessible à tous. L’entretien a été mené par courriels entre janvier et février 2017.Interview with Jennifer K. Bates, Sophie Stone and Erin Siobahn Hutching, three of the four lead artists of the Deaf and Hearing Ensemble, a company that uses bilingualism (English and British Sign Language) and biculturalism (Deaf and hearing) to create theatre that combines artistry with accessibility. The interview was conducted by ...
This ethnodrama is a script writing project based on qualitative research that explores deaf people’...
Fondé en 1976, l’IVT (International Visual Theatre) se définit aujourd’hui comme un carrefour cultur...
The IVT was created in Paris in 1977 by a North American Deaf actor, Alfredo Corrado, and Jean Grémi...
Interview with Jennifer K. Bates, Sophie Stone and Erin Siobahn Hutching, three of the four lead art...
Entretien avec Rosalind Hoy de Zoo Co qui revient sur la décision de la compagnie de travail avec un...
This thesis aims to interrogate the potential for equality of participation in theatrical performa...
The nature of any public sphere is that it embraces all private citizens: it is, in current parlance...
This Masters Research Project addresses the main research question, of how best to create an inclusi...
The gap between two worlds, Hearing and Deaf, has started to close thanks to the world of Theatre. T...
This thesis has three main components: an exegesis; a novel, Between the Signs; and an experimental ...
The Deaf individual attends theatre, like the rest of the audience, primarily to be entertained, and...
Interview with Joanne Allan, artistic director of Theatraverse, a bilingual French/English company b...
This article examines the importance of paratext – theoretically and practically – in getting D/deaf...
I was interviewed about my project by Anida Hilviu, co-funder of Utensilia, an Italian non-profit or...
In a deliberate and valiant effort to adapt to the conditions created by the recent pandemic, many t...
This ethnodrama is a script writing project based on qualitative research that explores deaf people’...
Fondé en 1976, l’IVT (International Visual Theatre) se définit aujourd’hui comme un carrefour cultur...
The IVT was created in Paris in 1977 by a North American Deaf actor, Alfredo Corrado, and Jean Grémi...
Interview with Jennifer K. Bates, Sophie Stone and Erin Siobahn Hutching, three of the four lead art...
Entretien avec Rosalind Hoy de Zoo Co qui revient sur la décision de la compagnie de travail avec un...
This thesis aims to interrogate the potential for equality of participation in theatrical performa...
The nature of any public sphere is that it embraces all private citizens: it is, in current parlance...
This Masters Research Project addresses the main research question, of how best to create an inclusi...
The gap between two worlds, Hearing and Deaf, has started to close thanks to the world of Theatre. T...
This thesis has three main components: an exegesis; a novel, Between the Signs; and an experimental ...
The Deaf individual attends theatre, like the rest of the audience, primarily to be entertained, and...
Interview with Joanne Allan, artistic director of Theatraverse, a bilingual French/English company b...
This article examines the importance of paratext – theoretically and practically – in getting D/deaf...
I was interviewed about my project by Anida Hilviu, co-funder of Utensilia, an Italian non-profit or...
In a deliberate and valiant effort to adapt to the conditions created by the recent pandemic, many t...
This ethnodrama is a script writing project based on qualitative research that explores deaf people’...
Fondé en 1976, l’IVT (International Visual Theatre) se définit aujourd’hui comme un carrefour cultur...
The IVT was created in Paris in 1977 by a North American Deaf actor, Alfredo Corrado, and Jean Grémi...