German textual scholarship developed different models of genetic presentations. While each genetic model requires a special concept of text, this concept is not always obvious at first glance. This article examines for what reason, for example, editors omit remarking on the precise variation process in the manuscript, why (and how) they indicate the position of the variants on the manuscript, why they abstain from presenting a reading text but opt to present the textual genesis only, why they add facsimiles and transcriptions to the genetic and the reading text presentation, or why they provide only facsimiles and transcription, but no reading text
The discussion on the New Philology triggered by French and North American scholars in the last deca...
Traditional music philology aims at establishing an edited text, which is supposed to stage a clearl...
Responds to a recent article by Peter Shillingsburg (in Studies in Bibliography , 1991)on the taxono...
It has been necessary to make a clear distinction between genetic criticism and textual criticism. I...
In scholarly editing, more particularly in the context of collating various versions of a text, the ...
This volume is the 10th issue of Variants . In keeping with the mission of the European Society for ...
As its point of departure, this essay makes a clear distinction between genetic criticism and geneti...
This paper discusses the state-of-the-art in digital “genetic” editing, that is the phil...
The aim of the present paper is to show how, and to what extent, the standards of critical genetic e...
Post-publication revision causes problems for both an AngloAmerican editorial tradition and genetic ...
This essay proposes a model of genetic criticism's complex research object (writing processes) to ma...
Post-publication revision causes problems for both an Anglo-American editorial tradition and genetic...
The process of editing a text is, in the first instance, an act of imagination. An editor who has co...
Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiqu...
From production to transmission, from genesis to reception, text is an infinitely complex object of ...
The discussion on the New Philology triggered by French and North American scholars in the last deca...
Traditional music philology aims at establishing an edited text, which is supposed to stage a clearl...
Responds to a recent article by Peter Shillingsburg (in Studies in Bibliography , 1991)on the taxono...
It has been necessary to make a clear distinction between genetic criticism and textual criticism. I...
In scholarly editing, more particularly in the context of collating various versions of a text, the ...
This volume is the 10th issue of Variants . In keeping with the mission of the European Society for ...
As its point of departure, this essay makes a clear distinction between genetic criticism and geneti...
This paper discusses the state-of-the-art in digital “genetic” editing, that is the phil...
The aim of the present paper is to show how, and to what extent, the standards of critical genetic e...
Post-publication revision causes problems for both an AngloAmerican editorial tradition and genetic ...
This essay proposes a model of genetic criticism's complex research object (writing processes) to ma...
Post-publication revision causes problems for both an Anglo-American editorial tradition and genetic...
The process of editing a text is, in the first instance, an act of imagination. An editor who has co...
Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiqu...
From production to transmission, from genesis to reception, text is an infinitely complex object of ...
The discussion on the New Philology triggered by French and North American scholars in the last deca...
Traditional music philology aims at establishing an edited text, which is supposed to stage a clearl...
Responds to a recent article by Peter Shillingsburg (in Studies in Bibliography , 1991)on the taxono...