When the history of Pop art reached the dawn of a global landscape which put New York in a central position, it overlapped with two invisible phenomena: artists on the sidelines of the western world, and women artists. Under the effect of varied means of communication, the dissemination of American culture encouraged a certain standardization. The fact remains that “there is not one universal pop but rather hundreds of iterations”. When the study of the competing pop involvements of activitie..
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
This book addresses the need for a more sustained knowledge and multidisciplinary understanding of w...
This article deals with the approaches that some artistic teams co-develop with non-professionals of...
This work presents an analysis of the cultural and artistic field, positively compromised with socia...
Public discourses on feminism have deeply changed over the past year. The perception of women’s move...
The Proceedings of the 32nd International Congress of Art Historians (CIHA), University of Melbourne...
This paper addresses the ways in which women artists in modernism were frequently marked as “excepti...
This research explores how creative practices can renew perceptions of ‘globalisation’. Against the ...
This paper analyzes Pop Art's oscillation between subversion and conformism. In fact, to some, it wa...
Examining the origins and evolution of Pop Art in America, Great Britain, and continental Europe, th...
ii By broadening and redefining “pop, ” this thesis intends to demonstrate pop’s potential to be con...
Le grand projet à l’origine de la réalisation de cette thèse est de proposer une nouvelle manière de...
The Silver Factory Years : Rock and Counter-cultural Echoes in the Warholian Economy of Art From th...
The past three decades have witnessed the extraordinary emergence of several global cultural realms ...
Until recently still a blank spot on the world map of art, China today occupies one of the top posit...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
This book addresses the need for a more sustained knowledge and multidisciplinary understanding of w...
This article deals with the approaches that some artistic teams co-develop with non-professionals of...
This work presents an analysis of the cultural and artistic field, positively compromised with socia...
Public discourses on feminism have deeply changed over the past year. The perception of women’s move...
The Proceedings of the 32nd International Congress of Art Historians (CIHA), University of Melbourne...
This paper addresses the ways in which women artists in modernism were frequently marked as “excepti...
This research explores how creative practices can renew perceptions of ‘globalisation’. Against the ...
This paper analyzes Pop Art's oscillation between subversion and conformism. In fact, to some, it wa...
Examining the origins and evolution of Pop Art in America, Great Britain, and continental Europe, th...
ii By broadening and redefining “pop, ” this thesis intends to demonstrate pop’s potential to be con...
Le grand projet à l’origine de la réalisation de cette thèse est de proposer une nouvelle manière de...
The Silver Factory Years : Rock and Counter-cultural Echoes in the Warholian Economy of Art From th...
The past three decades have witnessed the extraordinary emergence of several global cultural realms ...
Until recently still a blank spot on the world map of art, China today occupies one of the top posit...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
This book addresses the need for a more sustained knowledge and multidisciplinary understanding of w...
This article deals with the approaches that some artistic teams co-develop with non-professionals of...