For visual arts criticism, there was a moment when it was thinkable that the value construction paradigm represented by the historical model had been discredited by the combined effects of postmodernism and globalization. The fact is, however, that both the host of projects which are picked up by Critique d’art contributors, and the subjects they have chosen to crystallize their ideas, show that this history has once more become the questioning factor, tool and major challenge of many books a..
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
Criticism at work must provide itself with the wherewithal to think about new objects and make a re-...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
For visual arts criticism, there was a moment when it was thinkable that the value construction para...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
This article aims to reconstruct the critical debate regarding the examination of the crisis in the ...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
Roland Recht’s inaugural lesson, in fifty dense and elegant pages, punctuated by enlightening quotat...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
‘Institutional critique’ is best known through the critical practice that developed in the late ...
Going hand-in-hand with a research project backed by the CNAP, this line of thinking here takes the ...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
Contemporary art is still worrying philosophers. But the questions have shifted: as the “public” no ...
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
Criticism at work must provide itself with the wherewithal to think about new objects and make a re-...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...
For visual arts criticism, there was a moment when it was thinkable that the value construction para...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
This article aims to reconstruct the critical debate regarding the examination of the crisis in the ...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
Roland Recht’s inaugural lesson, in fifty dense and elegant pages, punctuated by enlightening quotat...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
‘Institutional critique’ is best known through the critical practice that developed in the late ...
Going hand-in-hand with a research project backed by the CNAP, this line of thinking here takes the ...
The challenge of globalization and the “decolonization” of our way of thinking have become a major c...
Contemporary art is still worrying philosophers. But the questions have shifted: as the “public” no ...
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
Criticism at work must provide itself with the wherewithal to think about new objects and make a re-...
These days, the view of the exhibition seems to be an obligatory way of dealing with the relation be...