Over the last three decades of the nineteenth century, the musical milieu of Victorian London underwent changes that affected the manner in which Verdi was perceived and his final operas conceptualised. A shift in music journalism took place, leading to a new generation of critics whose minds were more open to the challenges of modern music drama. Not only did Wagner’s music come to be generally accepted, but his ideas began to exert an increasingly strong influence over the younger generatio..
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
Felix Mendelssohn visited London for the first time in 1829, becoming an instant celebrity by virtue...
The great English choral tradition as we know it today was born along with the Industrial Revolution...
To describe the conditions of music journalism in Victorian London and define the manner in which Ve...
As early as 1844, Henry Fothergill Chorley, one of the most authoritative figures of Victorian journ...
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
C1 - Journal Articles RefereedWhen the Annual Report of Melbourne Philharmonic for 1899 complained a...
"An original thesis presented to the faculty of Arts of Macquarie University in fulfilment of the re...
The Milan premiere of Otello offered itself as an opportunity for the English critics not only to re...
As with Otello a few years before, Verdi’s last operatic achievement drew the attention of the Londo...
This project argues that changes to operatic vocal writing in the late nineteenth century prompted A...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
In this thesis I search for the realities of the reception of prodigies who are small musicians in B...
The intent of this project is to explore how the developments in publishing and print technology dur...
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
Felix Mendelssohn visited London for the first time in 1829, becoming an instant celebrity by virtue...
The great English choral tradition as we know it today was born along with the Industrial Revolution...
To describe the conditions of music journalism in Victorian London and define the manner in which Ve...
As early as 1844, Henry Fothergill Chorley, one of the most authoritative figures of Victorian journ...
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London...
Despite the vast research on Verdi’s compositional as well as dramatic achievements, little attentio...
C1 - Journal Articles RefereedWhen the Annual Report of Melbourne Philharmonic for 1899 complained a...
"An original thesis presented to the faculty of Arts of Macquarie University in fulfilment of the re...
The Milan premiere of Otello offered itself as an opportunity for the English critics not only to re...
As with Otello a few years before, Verdi’s last operatic achievement drew the attention of the Londo...
This project argues that changes to operatic vocal writing in the late nineteenth century prompted A...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
In this thesis I search for the realities of the reception of prodigies who are small musicians in B...
The intent of this project is to explore how the developments in publishing and print technology dur...
London dominated the English musical scene from 1700 to 1850, but provincial listeners were increasi...
Felix Mendelssohn visited London for the first time in 1829, becoming an instant celebrity by virtue...
The great English choral tradition as we know it today was born along with the Industrial Revolution...