Gospel Illuminations: Ethiopian paintings and their European models A monastery in Ethiopia houses a precious gospel book of c. 1650, in which all four gospels are richly illuminated. The paintings are skilfully executed by more than one painter, the colours are still vivid and well preserved. What makes this gospel book so extraordinarily important is the adoption of painting processes so far not seen in Ethiopian painting, a nascent use of perspective and the borrowing of visual props from ..
The Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus This thesis is about the painting d...
Black manuscripts, written and illuminated on parchment that has been stained, present a figure-grou...
In lieu of an abstract, below is the essay\u27s first paragraph. The Gospel message, it seems, cann...
Contacts and comparisons: Idiosyncrasies in the illuminated tetraevangelium of Märtula Maryam.* Summ...
This article shows that a group of loose folios kept in two different institutions, the Newark Museu...
Judith S McKenzie, Francis Watson, The Garima Gospels: Early Illuminated Gospel Books from Ethiopia,...
This article discusses the iconography of the Entombment in Ethiopian manuscript illumination of th...
Includes bibliographical references.The carpet pages in the Insular gospel manuscripts have always b...
Produced in Köln between the end of the 10th and the middle of 11th century, several Gospel books di...
This manuscript is folded like an accordion, meaning it can be completely unfolded to reveal each pa...
This study offers the first comprehensive review of the Tempietto in Ethiopian art. The motif was an...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
Abstract The book on how to make all the colour paints for illuminating books invites readers to ste...
ABSTRACT: The holy icons and church painting represented on the inner walls of the holy places of wo...
International audiencePigments from two master-pieces of Ethiopian art of the 17th c. are analyzed b...
The Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus This thesis is about the painting d...
Black manuscripts, written and illuminated on parchment that has been stained, present a figure-grou...
In lieu of an abstract, below is the essay\u27s first paragraph. The Gospel message, it seems, cann...
Contacts and comparisons: Idiosyncrasies in the illuminated tetraevangelium of Märtula Maryam.* Summ...
This article shows that a group of loose folios kept in two different institutions, the Newark Museu...
Judith S McKenzie, Francis Watson, The Garima Gospels: Early Illuminated Gospel Books from Ethiopia,...
This article discusses the iconography of the Entombment in Ethiopian manuscript illumination of th...
Includes bibliographical references.The carpet pages in the Insular gospel manuscripts have always b...
Produced in Köln between the end of the 10th and the middle of 11th century, several Gospel books di...
This manuscript is folded like an accordion, meaning it can be completely unfolded to reveal each pa...
This study offers the first comprehensive review of the Tempietto in Ethiopian art. The motif was an...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
Abstract The book on how to make all the colour paints for illuminating books invites readers to ste...
ABSTRACT: The holy icons and church painting represented on the inner walls of the holy places of wo...
International audiencePigments from two master-pieces of Ethiopian art of the 17th c. are analyzed b...
The Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus This thesis is about the painting d...
Black manuscripts, written and illuminated on parchment that has been stained, present a figure-grou...
In lieu of an abstract, below is the essay\u27s first paragraph. The Gospel message, it seems, cann...