The theological dimension of the pilot mini-series (2003) of the reimagined Battlestar Galactica (Ron D. Moore, Sci-Fi, 2003-2009) sharply contrasts with that of the original series (Glen Larson, ABC, 1978-1979). In the original BSG, the last humans are in Exodus, and cross the desert-that-is-space in search of the promised land of Earth. In the reimagined series, the pilot mini-series is more clearly apocalyptic and points to contemporary forms of dispensionalism, and especially, belief in the Rapture.La dimension théologique de la mini-série pilote de Battlestar Galactica (Ron D. Moore, Sci-Fi, 2003) contraste fortement avec celle de la série originale de Glen Larson (ABC, 1978). Dans cette dernière, les derniers humains vivent un Exode, ...
Disney’s recent “decanonization” of the decades-old Star Wars “Expanded Universe” in preparation for...
Hollywood films and religion have an ongoing rocky relationship, especially in the realm of science ...
Ronald D. Moore’s “remade” version of Battlestar Galatica marks a return to a resolutely militaristi...
The theological dimension of the pilot mini-series (2003) of the reimagined Battlestar Galactica (Ro...
This article explores how Ronald D. Moore’s Battlestar Galactica reinvents and resolutely updates ap...
The representations of religious tension between the polytheistic humans and the monotheistic Cylons...
Lost and Battlestar Galactica, two hugely popular science-fiction television series, both interrogat...
In 2003, Battlestar Galactica (BSG) was re-invented from its 1978 roots to a post-apocalyptic narrat...
textIn this thesis, I will examine the connected representations of religion and gender in the conte...
This article explores the articulations between the concepts of human and post-human in the two vers...
This thesis explores the extent to which science fiction conveys latent sociocultural attitudes abou...
The paper analyzes the saga of Star Wars as a text that has borrowed extensively from biblical apoca...
As the American populace is increasingly identifying as non-religious, religious representation is ...
Christian biblical authors used the apocalyptic genre to help contextualize the meaning of salvation...
What is the difference between a god and a powerful alien? Can an android have a soul, or be conside...
Disney’s recent “decanonization” of the decades-old Star Wars “Expanded Universe” in preparation for...
Hollywood films and religion have an ongoing rocky relationship, especially in the realm of science ...
Ronald D. Moore’s “remade” version of Battlestar Galatica marks a return to a resolutely militaristi...
The theological dimension of the pilot mini-series (2003) of the reimagined Battlestar Galactica (Ro...
This article explores how Ronald D. Moore’s Battlestar Galactica reinvents and resolutely updates ap...
The representations of religious tension between the polytheistic humans and the monotheistic Cylons...
Lost and Battlestar Galactica, two hugely popular science-fiction television series, both interrogat...
In 2003, Battlestar Galactica (BSG) was re-invented from its 1978 roots to a post-apocalyptic narrat...
textIn this thesis, I will examine the connected representations of religion and gender in the conte...
This article explores the articulations between the concepts of human and post-human in the two vers...
This thesis explores the extent to which science fiction conveys latent sociocultural attitudes abou...
The paper analyzes the saga of Star Wars as a text that has borrowed extensively from biblical apoca...
As the American populace is increasingly identifying as non-religious, religious representation is ...
Christian biblical authors used the apocalyptic genre to help contextualize the meaning of salvation...
What is the difference between a god and a powerful alien? Can an android have a soul, or be conside...
Disney’s recent “decanonization” of the decades-old Star Wars “Expanded Universe” in preparation for...
Hollywood films and religion have an ongoing rocky relationship, especially in the realm of science ...
Ronald D. Moore’s “remade” version of Battlestar Galatica marks a return to a resolutely militaristi...