That non-human animals show genuine aesthetic experiences is (yet?) controversial. On the contrary, it seems that there is no doubt that human animal can do it. In this paper, however, we ask whether Homo sapiens has actually the biological capacity to make a truly aesthetic experience. The starting point for this analysis is the most important characteristic of the human species, the innate faculty of language. If you take into account the relationship between human body/mind and language is not at all obvious that Homo sapiens could really prove a genuine aesthetic experience. On the contrary, such an experience would be biologically available only to non-human animals
With the aim to clarify the definition of humans as “linguistic animals”, in the present paper I fun...
Human aesthetic preferences towards a certain landscape type, a certain bodily traits of the opposit...
Aim of this paper is to outline a new evolutionary interpretation of aesthetic emotions, in the ligh...
That non-human animals show genuine aesthetic experiences is (yet?) controversial. On the contrary, ...
In this article we propose to overlap aesthetic experience with medial experience, starting from the...
Maybe human aesthetics developed from animal aesthetics. I am not, of course, suggesting that sophis...
Starting from the research carried out by Carlo Ludovico Ragghianti on the ‘mental reasons’ of 81 pa...
This contribution outlines the evolutionary history of aesthetic illusion, drawing on both its biolo...
The overall objective is to explore the question of why our DNA is encoded to actualize an aesthetic...
As humans are evolved animals, we propose a nonanthropocentric framework based on animal signaling t...
In the last decades, putative nonhuman linguistic skills have been proposed as an ess...
Have human beings always made and appreciated art? Rock art, cave paintings, figurines and movable o...
Lucie Čadková: Lingvistické schopnosti nonhumánních živočichů 1 ABSTRACT The 20th century has witnes...
Broadly speaking, there are two ways nonhuman animal models contribute to our understanding of speec...
Traditional aesthetic places non-human animals in nature and not in culture. Non-human animals are g...
With the aim to clarify the definition of humans as “linguistic animals”, in the present paper I fun...
Human aesthetic preferences towards a certain landscape type, a certain bodily traits of the opposit...
Aim of this paper is to outline a new evolutionary interpretation of aesthetic emotions, in the ligh...
That non-human animals show genuine aesthetic experiences is (yet?) controversial. On the contrary, ...
In this article we propose to overlap aesthetic experience with medial experience, starting from the...
Maybe human aesthetics developed from animal aesthetics. I am not, of course, suggesting that sophis...
Starting from the research carried out by Carlo Ludovico Ragghianti on the ‘mental reasons’ of 81 pa...
This contribution outlines the evolutionary history of aesthetic illusion, drawing on both its biolo...
The overall objective is to explore the question of why our DNA is encoded to actualize an aesthetic...
As humans are evolved animals, we propose a nonanthropocentric framework based on animal signaling t...
In the last decades, putative nonhuman linguistic skills have been proposed as an ess...
Have human beings always made and appreciated art? Rock art, cave paintings, figurines and movable o...
Lucie Čadková: Lingvistické schopnosti nonhumánních živočichů 1 ABSTRACT The 20th century has witnes...
Broadly speaking, there are two ways nonhuman animal models contribute to our understanding of speec...
Traditional aesthetic places non-human animals in nature and not in culture. Non-human animals are g...
With the aim to clarify the definition of humans as “linguistic animals”, in the present paper I fun...
Human aesthetic preferences towards a certain landscape type, a certain bodily traits of the opposit...
Aim of this paper is to outline a new evolutionary interpretation of aesthetic emotions, in the ligh...