In an epigraph to one of the chapters of Felix Holt, George Eliot likens vulgar jokers to a turkey-cock: “it has a cruel beak,” she writes, “and a silly iteration of ugly sounds…”. This paper is about cruel beaks and silly iterations, about verbal aggression and repetition in George Eliot’s writings. In particular, I’m curious about what seems at first like a stylistic tic, a way she has of fixing on a somewhat odd word or phrase and of repeating it two or three or more times within the space..
George Eliot followed the conventions of her time in titling her novels either after their hero or h...
This book derives from half a lifetime\u27s teaching and the author\u27s obvious affinity for George...
"In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscu...
James Longenbach has argued that “Eliot forces his readers to feel the weight of his allusions very ...
I want to start with a useful rather than a funny question posed by the critic Hilary M. Schor: \u27...
This article rereads George Eliot's Impressions of Theophrastus Such in the light of her early serie...
James Longenbach has argued that “Eliot forces his readers to feel the weight of his allusions very ...
One of the Shakespeare quotations most frequently used by George Eliot in her writings is an otherwi...
While he was still writing his doctoral thesis, which became his influential Experiments in Life: Ge...
Readers of The George Eliot Review will be familiar with the work of Melissa Anne Raines, which bega...
It has always seemed to me, and doubtless to many others, that some of the most moving and evocative...
I cannot be easy without writing a word or two this morning for I am conscious that I made myself mo...
In one of the first reviews of Proust\u27s Du cote de chez Swann, appropriately published in the jou...
When Ladislaw has watched and listened to Dorothea in the Vatican Museum, he says to the painter Nau...
Any writer attempting to represent graphically variant pronunciations is faced with the double probl...
George Eliot followed the conventions of her time in titling her novels either after their hero or h...
This book derives from half a lifetime\u27s teaching and the author\u27s obvious affinity for George...
"In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscu...
James Longenbach has argued that “Eliot forces his readers to feel the weight of his allusions very ...
I want to start with a useful rather than a funny question posed by the critic Hilary M. Schor: \u27...
This article rereads George Eliot's Impressions of Theophrastus Such in the light of her early serie...
James Longenbach has argued that “Eliot forces his readers to feel the weight of his allusions very ...
One of the Shakespeare quotations most frequently used by George Eliot in her writings is an otherwi...
While he was still writing his doctoral thesis, which became his influential Experiments in Life: Ge...
Readers of The George Eliot Review will be familiar with the work of Melissa Anne Raines, which bega...
It has always seemed to me, and doubtless to many others, that some of the most moving and evocative...
I cannot be easy without writing a word or two this morning for I am conscious that I made myself mo...
In one of the first reviews of Proust\u27s Du cote de chez Swann, appropriately published in the jou...
When Ladislaw has watched and listened to Dorothea in the Vatican Museum, he says to the painter Nau...
Any writer attempting to represent graphically variant pronunciations is faced with the double probl...
George Eliot followed the conventions of her time in titling her novels either after their hero or h...
This book derives from half a lifetime\u27s teaching and the author\u27s obvious affinity for George...
"In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscu...