Contacts and comparisons: Idiosyncrasies in the illuminated tetraevangelium of Märtula Maryam.* Summary The Märtula Maryam Gospel Book, a manuscript book c. 1650, presents a blending of foreign ideas as seen in the Evangelium arabicum with Ethiopian usage and intermittent non-adherence to theologically approved traditional solutions. The language of European visual explanations was transformed and translated into Ethiopian indigenous solutions. This process should not be seen as ‘occidentali..
Judith S McKenzie, Francis Watson, The Garima Gospels: Early Illuminated Gospel Books from Ethiopia,...
The presence of the Tiǧāniyya in Ethiopia is well attested since the mission of Enrico Cerulli in ea...
Ethiopian, ca. 1880. Modern manuscript in a medieval style. Approx. 200 x 160 mm (written area appro...
Gospel Illuminations: Ethiopian paintings and their European models A monastery in Ethiopia houses a...
This study offers the first comprehensive review of the Tempietto in Ethiopian art. The motif was an...
As already practiced before Aethiopica has become the medium for the description of newly acquired E...
In the history of the traditional Ethiopian art one recognizes a process of “transition” of formal e...
What happens to art when two distinct forms of Christianity meet? This paper considers the relations...
This article shows that a group of loose folios kept in two different institutions, the Newark Museu...
Maria Evangelatou’s book promises to explore new research questions and challenge Eurocentric approa...
Menelik II was both King of Shewa (1865–1888) and Emperor of Ethiopia (1889–1912). In the late ninet...
International audiencePigments from two master-pieces of Ethiopian art of the 17th c. are analyzed b...
Judith S McKenzie, Francis Watson, The Garima Gospels: Early Illuminated Gospel Books from Ethiopia,...
The presence of the Tiǧāniyya in Ethiopia is well attested since the mission of Enrico Cerulli in ea...
Ethiopian, ca. 1880. Modern manuscript in a medieval style. Approx. 200 x 160 mm (written area appro...
Gospel Illuminations: Ethiopian paintings and their European models A monastery in Ethiopia houses a...
This study offers the first comprehensive review of the Tempietto in Ethiopian art. The motif was an...
As already practiced before Aethiopica has become the medium for the description of newly acquired E...
In the history of the traditional Ethiopian art one recognizes a process of “transition” of formal e...
What happens to art when two distinct forms of Christianity meet? This paper considers the relations...
This article shows that a group of loose folios kept in two different institutions, the Newark Museu...
Maria Evangelatou’s book promises to explore new research questions and challenge Eurocentric approa...
Menelik II was both King of Shewa (1865–1888) and Emperor of Ethiopia (1889–1912). In the late ninet...
International audiencePigments from two master-pieces of Ethiopian art of the 17th c. are analyzed b...
Judith S McKenzie, Francis Watson, The Garima Gospels: Early Illuminated Gospel Books from Ethiopia,...
The presence of the Tiǧāniyya in Ethiopia is well attested since the mission of Enrico Cerulli in ea...
Ethiopian, ca. 1880. Modern manuscript in a medieval style. Approx. 200 x 160 mm (written area appro...