In the final four chapters of the book, I shall explore the relationship which existed between mixanthropic beings and the idea and the process of artistic representation. This will present an explanatory background to the observation which dominated Chapters 4 to 6: the importance in the depiction of mixanthropic deities of themes of movement, absence and loss. It will be argued that much light may be shed on these themes and their importance by examining the rôle of visual representation of..
This book began as a doctoral thesis, written at the University of Exeter between 2003 and 2007. Whe...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...
Introduction During Section Three of this book, it has been established that mixanthropic deities ha...
Introduction During Section Three of this book, it has been established that mixanthropic deities ha...
Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar f...
Introduction This chapter explores the spatial and temporal characterisation of mixanthropic gods, a...
Introduction The previous chapter ended with the importance of the relationship between the fluidity...
In the Introduction to this book, it was shown that the characterisation of non-divine mixanthropes ...
Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar f...
1. Beyond the ‘Animal god’ The Greeks did not have animal gods, and there is no real proof that they...
1. Representing the unrepresentable Greek myth abounds with stories in which a human being turns int...
1. The deity within the landscape Mixanthropic deities are represented as highly prone to movement w...
1. The deity within the landscape Mixanthropic deities are represented as highly prone to movement w...
So far the deities discussed in this section have been represented with what might be termed ‘integr...
This book began as a doctoral thesis, written at the University of Exeter between 2003 and 2007. Whe...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...
Introduction During Section Three of this book, it has been established that mixanthropic deities ha...
Introduction During Section Three of this book, it has been established that mixanthropic deities ha...
Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar f...
Introduction This chapter explores the spatial and temporal characterisation of mixanthropic gods, a...
Introduction The previous chapter ended with the importance of the relationship between the fluidity...
In the Introduction to this book, it was shown that the characterisation of non-divine mixanthropes ...
Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar f...
1. Beyond the ‘Animal god’ The Greeks did not have animal gods, and there is no real proof that they...
1. Representing the unrepresentable Greek myth abounds with stories in which a human being turns int...
1. The deity within the landscape Mixanthropic deities are represented as highly prone to movement w...
1. The deity within the landscape Mixanthropic deities are represented as highly prone to movement w...
So far the deities discussed in this section have been represented with what might be termed ‘integr...
This book began as a doctoral thesis, written at the University of Exeter between 2003 and 2007. Whe...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...
7 color pictures. This is part of a special issue of Maarg on "Visuality of Indian Rituals" edited b...