Drawing on historical, aesthetic, theoretical and sociocultural perspectives, this study day seeks to reconsider the place of machines in the musical imagination during the first half of the twentieth century, a period marked by the proliferation of mass technology.Cette journée d’étude propose de reconsidérer d’un point de vue historique, esthétique, analytique et socioculturel la place occupée par les machines dans les musiques de la première moitié du XXe siècle, époque de prolifération de la technologie de masse
Straipsnyje siekiama atkreipti dėmesį į XX a. pirmojoje pusėje susiformavusią estetinę stilistinę ma...
International audienceThis study approaches from the perspective of visual anthropology the changing...
This dissertation is a study of musical instruments in 1960s popular music organized around the them...
Le dossier Machines et imaginaires musicaux (1900–1950) / Machines and the Musical Imagination (1900...
Media histories of music often frame technological innovation in the early twentieth century within ...
A significant group of five mechanical music machines, very popular house and public instruments in ...
International audienceAs far as music is concerned, instruments have always been part of a cultural ...
International audienceThe machine, over the course of the 20th century, progressively integrated its...
Germany during the Weimar Republic (1919-1933) was the epicenter of an explosion of activity around ...
This paper explores the historical progression of the technological development of records and radio...
An interest in increasing the subtlety and variety of musical expression is characteristic of Wester...
“Music and the Spectacle of Artificial Life” examines how mechanical experiments since the Enlighten...
Transactions between musical androids and actual virtuosos occupied a prominent place in the music o...
This is the first introductory survey of western twentieth-century music to address popular music, a...
Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cu...
Straipsnyje siekiama atkreipti dėmesį į XX a. pirmojoje pusėje susiformavusią estetinę stilistinę ma...
International audienceThis study approaches from the perspective of visual anthropology the changing...
This dissertation is a study of musical instruments in 1960s popular music organized around the them...
Le dossier Machines et imaginaires musicaux (1900–1950) / Machines and the Musical Imagination (1900...
Media histories of music often frame technological innovation in the early twentieth century within ...
A significant group of five mechanical music machines, very popular house and public instruments in ...
International audienceAs far as music is concerned, instruments have always been part of a cultural ...
International audienceThe machine, over the course of the 20th century, progressively integrated its...
Germany during the Weimar Republic (1919-1933) was the epicenter of an explosion of activity around ...
This paper explores the historical progression of the technological development of records and radio...
An interest in increasing the subtlety and variety of musical expression is characteristic of Wester...
“Music and the Spectacle of Artificial Life” examines how mechanical experiments since the Enlighten...
Transactions between musical androids and actual virtuosos occupied a prominent place in the music o...
This is the first introductory survey of western twentieth-century music to address popular music, a...
Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cu...
Straipsnyje siekiama atkreipti dėmesį į XX a. pirmojoje pusėje susiformavusią estetinę stilistinę ma...
International audienceThis study approaches from the perspective of visual anthropology the changing...
This dissertation is a study of musical instruments in 1960s popular music organized around the them...