I shall discuss the important compositional changes that characterize the development of cardinals seals in Rome during the later 13th. century, and their possible signification. They are, I believe, illuminating in a number of ways-they clarify the manner in which contemporaries thought about and described their seals, the design changes that actually took place during the period, and the profound effects which these changes had across a wide spectrum of artistic media. It is initially instr..
International audienceIn 1335, the bull Fulgens sicut stella of Pope Benedict XII reforms the order ...
The project explores the seals of the Salzburg archbishops as well as the bishops of the Salzburg di...
This chapter gives a brief overview of the place of cardinal portraits within early modern portraitu...
When town councils started to use seals during the twelfth century, they often decided to have a rep...
An examination of the extent to which seals are susceptible to art historical analysis
To be published in : On the Borders of the Realm: Aristocratic Culture and the Making of France, 110...
International audienceBeside the ‘great officers’ of the Court of Champagne, who participated in the...
The subject of my contribution has developed from the research project “Siegel-Bilder”, carried out ...
Cardinals occupied a unique place in the world of early modern Europe, their distinctive red hats th...
Roman monumental inscriptions reveal a noteworthy development during the thirteenth century. In the ...
The Palazzo Farnese in Rome was constructed between 1515 and 1549 according to the designs of Antoni...
In Avignon, the cardinals used their palaces—known as livrées (from the latin libratae, “freed” [hou...
Seals and their Context in the Middle Ages offers an extensive overview of approaches to and the pot...
Medieval Coins and Seals: Constructing Identity, Signifying Power showcases these objects as intrins...
The debate over whether the early church basilica was “imperial” is bound up with many other questio...
International audienceIn 1335, the bull Fulgens sicut stella of Pope Benedict XII reforms the order ...
The project explores the seals of the Salzburg archbishops as well as the bishops of the Salzburg di...
This chapter gives a brief overview of the place of cardinal portraits within early modern portraitu...
When town councils started to use seals during the twelfth century, they often decided to have a rep...
An examination of the extent to which seals are susceptible to art historical analysis
To be published in : On the Borders of the Realm: Aristocratic Culture and the Making of France, 110...
International audienceBeside the ‘great officers’ of the Court of Champagne, who participated in the...
The subject of my contribution has developed from the research project “Siegel-Bilder”, carried out ...
Cardinals occupied a unique place in the world of early modern Europe, their distinctive red hats th...
Roman monumental inscriptions reveal a noteworthy development during the thirteenth century. In the ...
The Palazzo Farnese in Rome was constructed between 1515 and 1549 according to the designs of Antoni...
In Avignon, the cardinals used their palaces—known as livrées (from the latin libratae, “freed” [hou...
Seals and their Context in the Middle Ages offers an extensive overview of approaches to and the pot...
Medieval Coins and Seals: Constructing Identity, Signifying Power showcases these objects as intrins...
The debate over whether the early church basilica was “imperial” is bound up with many other questio...
International audienceIn 1335, the bull Fulgens sicut stella of Pope Benedict XII reforms the order ...
The project explores the seals of the Salzburg archbishops as well as the bishops of the Salzburg di...
This chapter gives a brief overview of the place of cardinal portraits within early modern portraitu...