The symposium investigates the interplay between Petrarch's writings and later Petrarchan literature with portraiture. PROGRAMME 9.00: Registration and Welcome 9.30 PANEL ONE – Chair: Nicolò Morelli Dr Alexander Lee, Centre for the Study of the Renaissance, University of Warwick Portrait of a Soul in Torment: Petrarch, Laura, and Simone Martini Prof. Rodney Lokaj, University of Enna Petrarch's Portrait: Altichiero between Homage and Citation in Memoriam Dr Cristiano Guarneri, University of Pa..
Platonism after Plato in the Renaissance 7 - 8 November 2013 Jointly organised by the Centre for Neo...
The paper conducts a reading of Petrarch’s letters 24, 3 and 4 in which the author addresses Cicero ...
editorial reviewedThis contribution focus on the Portrait of a Woman, which, since the early 19th c...
Appel à communication : « Petrarch and Portraiture, XIV–XVI Century » (University of Cambridge, 8 Ju...
This dissertation focuses on a genre of fifteenth- and sixteenth-century painted portraits and accom...
First Annual Postgraduate Renaissance Symposium Beyond the Frame: Portraits and Personal Experience ...
Petrarch intensively examined the visual arts of his time. He possessed a Madonna painting by Giotto...
JOURNEE D’ETUDE : Power and Objects in PortraitureParis Early Modern Seminar & London Renaissance Se...
In the first part of my paper, I will present the project ‘Petrarch Commentary and Exegesis in Renai...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
Perhaps one of the most celebrated artists of all time and responsible for ushering in a new style o...
O presente artigo faz uma compilação das mais importantes biografias escritas sobre Petrarca, desde ...
As part of the seminar Re-reading Petrarch in the Digital Age –taught at the University of Oregon in...
This sketch of the Fontaine de Vaucluse appeared in a manuscript version of Pliny\u27s Natural Histo...
Leonardo's precept 'decoro', provided a sixteenth-century model for analysis of portraits of Medici ...
Platonism after Plato in the Renaissance 7 - 8 November 2013 Jointly organised by the Centre for Neo...
The paper conducts a reading of Petrarch’s letters 24, 3 and 4 in which the author addresses Cicero ...
editorial reviewedThis contribution focus on the Portrait of a Woman, which, since the early 19th c...
Appel à communication : « Petrarch and Portraiture, XIV–XVI Century » (University of Cambridge, 8 Ju...
This dissertation focuses on a genre of fifteenth- and sixteenth-century painted portraits and accom...
First Annual Postgraduate Renaissance Symposium Beyond the Frame: Portraits and Personal Experience ...
Petrarch intensively examined the visual arts of his time. He possessed a Madonna painting by Giotto...
JOURNEE D’ETUDE : Power and Objects in PortraitureParis Early Modern Seminar & London Renaissance Se...
In the first part of my paper, I will present the project ‘Petrarch Commentary and Exegesis in Renai...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
Perhaps one of the most celebrated artists of all time and responsible for ushering in a new style o...
O presente artigo faz uma compilação das mais importantes biografias escritas sobre Petrarca, desde ...
As part of the seminar Re-reading Petrarch in the Digital Age –taught at the University of Oregon in...
This sketch of the Fontaine de Vaucluse appeared in a manuscript version of Pliny\u27s Natural Histo...
Leonardo's precept 'decoro', provided a sixteenth-century model for analysis of portraits of Medici ...
Platonism after Plato in the Renaissance 7 - 8 November 2013 Jointly organised by the Centre for Neo...
The paper conducts a reading of Petrarch’s letters 24, 3 and 4 in which the author addresses Cicero ...
editorial reviewedThis contribution focus on the Portrait of a Woman, which, since the early 19th c...