As an art historian, I have always been interested in portraiture. My publications since the 1980s attest to this culminating in The Irish Face. Redefining the Irish Portrait published in 2004. Since the late sixteenth century, portraiture in the visual arts in Ireland has been strongly influenced by English and European traditions and it is only really in the last one hundred years that a more Irish-orientated tradition has evolved. It is the aim of ..
This paper aims to clarify the talents and tastes of James Barry, R. A. (1741-1806), a Corkborn Iris...
This thesis is the first comprehensive study of miniature portrait painting in Ireland during the pe...
Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings f...
International audienceThough Ireland can pride itself on its national self-portrait collection, hous...
En s’appuyant sur l’œuvre de James Latham, Charles Jervas, Thomas Frye, Robert Healy, Nathan...
Cet article étudie trois autoportraits d’Erskine Nicol (1825–1904) intitulés Self-Portrait w...
Recent years have seen an increasing trend in Irish historical studies, away from the strictly natio...
Si l’Irlande peut se targuer de posséder une collection nationale d’autoportraits, l’art de l’autopo...
This special issue of Études irlandaises is dedicated to the arts. It deliberately privileges conver...
This introductory essay explores some of the critical contexts for an exploration of the historiogra...
Erskine Nicol (1825-1904) est un peintre écossais qui consacra la plus grande partie de son ...
"...the first thing an artist does is to try and transcend ideas of identity, rather than to go in t...
The aim of this thesis is to show that Irish art made in the period under discussion, the late-eight...
The focus of this research is in ascertaining how and why the Irish state patronises the visual arts...
1967 in Dublin, Ireland, an exhibition opened its doors to a suspecting public. Rose '67 was a work...
This paper aims to clarify the talents and tastes of James Barry, R. A. (1741-1806), a Corkborn Iris...
This thesis is the first comprehensive study of miniature portrait painting in Ireland during the pe...
Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings f...
International audienceThough Ireland can pride itself on its national self-portrait collection, hous...
En s’appuyant sur l’œuvre de James Latham, Charles Jervas, Thomas Frye, Robert Healy, Nathan...
Cet article étudie trois autoportraits d’Erskine Nicol (1825–1904) intitulés Self-Portrait w...
Recent years have seen an increasing trend in Irish historical studies, away from the strictly natio...
Si l’Irlande peut se targuer de posséder une collection nationale d’autoportraits, l’art de l’autopo...
This special issue of Études irlandaises is dedicated to the arts. It deliberately privileges conver...
This introductory essay explores some of the critical contexts for an exploration of the historiogra...
Erskine Nicol (1825-1904) est un peintre écossais qui consacra la plus grande partie de son ...
"...the first thing an artist does is to try and transcend ideas of identity, rather than to go in t...
The aim of this thesis is to show that Irish art made in the period under discussion, the late-eight...
The focus of this research is in ascertaining how and why the Irish state patronises the visual arts...
1967 in Dublin, Ireland, an exhibition opened its doors to a suspecting public. Rose '67 was a work...
This paper aims to clarify the talents and tastes of James Barry, R. A. (1741-1806), a Corkborn Iris...
This thesis is the first comprehensive study of miniature portrait painting in Ireland during the pe...
Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings f...