Add to ORKGJoe Street, Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash University Press of Florida. 2018. Pp. 280. ISBN 9780813064710 Melenia Arouh Clint Eastwood occupies a strange place in American culture: an iconic film actor made famous for his portrayal of westerners and violent men; an acclaimed director whose films have received praise from around the world for their sensitive treatment of various issues; a vocal supporter of the Republican party in an indust..
Tough Ain't Enough offers readers a series of original essays by prominent cinema scholars who e...
The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable...
Taking William Munny and Clint Eastwood’s Unforgiven as short-hand for America, the present article ...
Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop--an antihero in pursui...
After its 2014 release and box-office success, Clint Eastwood’s American Sniper, a war film dramatiz...
Holly Chard, Mainstream Maverick: John Hughes and New Hollywood Cinema. University of Texas Press, A...
Dirty Harry was released in 1971. Starring Clint Eastwood, the movie (and its sequels) were of param...
This Article is based on a presentation at the 2012 conference on “Struggles for Recognition: Indivi...
«There is one question, Inspector Callahan: Why do they call you ‘Dirty Harry’?» Harry, it is explai...
Revenge is not a publicly admissible motive for individual action. Church, state, and reason all lin...
Illustrated biography of Clint Eastwood focusing on critical examination of Eastwood's films such as...
The object of the research is the movie entitled Changeling. The major problem of this study is how ...
Clint Eastwood’s American Sniper is sui generis: the sole commercially successful Hollywood film abo...
The major problems of this study is disempowerment of women in the society which is reflected in Cli...
This is a book review of Sara Anson Vaux, The Ethical Vision of Clint Eastwood (Michigan: William B....
Tough Ain't Enough offers readers a series of original essays by prominent cinema scholars who e...
The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable...
Taking William Munny and Clint Eastwood’s Unforgiven as short-hand for America, the present article ...
Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop--an antihero in pursui...
After its 2014 release and box-office success, Clint Eastwood’s American Sniper, a war film dramatiz...
Holly Chard, Mainstream Maverick: John Hughes and New Hollywood Cinema. University of Texas Press, A...
Dirty Harry was released in 1971. Starring Clint Eastwood, the movie (and its sequels) were of param...
This Article is based on a presentation at the 2012 conference on “Struggles for Recognition: Indivi...
«There is one question, Inspector Callahan: Why do they call you ‘Dirty Harry’?» Harry, it is explai...
Revenge is not a publicly admissible motive for individual action. Church, state, and reason all lin...
Illustrated biography of Clint Eastwood focusing on critical examination of Eastwood's films such as...
The object of the research is the movie entitled Changeling. The major problem of this study is how ...
Clint Eastwood’s American Sniper is sui generis: the sole commercially successful Hollywood film abo...
The major problems of this study is disempowerment of women in the society which is reflected in Cli...
This is a book review of Sara Anson Vaux, The Ethical Vision of Clint Eastwood (Michigan: William B....
Tough Ain't Enough offers readers a series of original essays by prominent cinema scholars who e...
The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable...
Taking William Munny and Clint Eastwood’s Unforgiven as short-hand for America, the present article ...