Silencio en la Casa-escondite de Yolanda Ríos Coello

The aim of this article is to approach the work “Habitar las obsesiones” which is made by Yolanda Rios. The text aproachs it with the intefacial sphere, the hands and the silence as spatial construction methods. For that, different theoretical sights to architecture, painting and philosophy are developed. This conceptual way concludes reflecting the basic unit that makes up the work in its multiple meanings: The idea that ralated or avoided between bodies is a manner of builing spaces