The article assesses the role of the arts in the context of democratisation conflict, arguing that such evaluation must be nuanced and multi-levelled, approaching the same artefacts across time and from varied angles and latitudes while appreciating the internal and external pressures that the workers-in-culture face. These hermeneutic challenges and the fluctuating sphere of reception are scrutinized in this article in relation to the context of transitional justice and, specifically, democratization conflicts in the region of the former Yugoslavia
The violent disintegration of the federation at the beginning of the 1990s transformed the Yugoslav ...
Jakovljevic considers the concept of theatricality as central to understanding the events that took ...
While literature in transitional justice has addressed conventional retributive and restorative just...
Exciting new scholarship has been emerging as performance studies scholars begin to turn their atten...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
The article documents the relation of performance art, actions, interventions, happenings, and the d...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
Exciting new scholarship has been emerging as performance studies scholars begin to turn their atten...
The article discusses cinematic representations of memory and trauma in post-Yugoslav documentary an...
This article will examine the position of critical cinema in socialist Yugoslavia by analysing the a...
The article discusses cinematic representations of memory and trauma in post-Yugoslav documentary an...
This article will examine the position of critical cinema in socialist Yugoslavia by analysing the a...
An Example of the Yugoslav Avant-garde Art: The Short Life and Violent Death of Pupilija Ferkverk (1...
ABSTRACT The article discusses cinematic representations of memory and trauma in post-Yugoslav docu...
The violent disintegration of the federation at the beginning of the 1990s transformed the Yugoslav ...
Jakovljevic considers the concept of theatricality as central to understanding the events that took ...
While literature in transitional justice has addressed conventional retributive and restorative just...
Exciting new scholarship has been emerging as performance studies scholars begin to turn their atten...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
The article documents the relation of performance art, actions, interventions, happenings, and the d...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
In the former Yugoslavia, Students’ Cultural Centres played host to the conceptual and performance a...
Exciting new scholarship has been emerging as performance studies scholars begin to turn their atten...
The article discusses cinematic representations of memory and trauma in post-Yugoslav documentary an...
This article will examine the position of critical cinema in socialist Yugoslavia by analysing the a...
The article discusses cinematic representations of memory and trauma in post-Yugoslav documentary an...
This article will examine the position of critical cinema in socialist Yugoslavia by analysing the a...
An Example of the Yugoslav Avant-garde Art: The Short Life and Violent Death of Pupilija Ferkverk (1...
ABSTRACT The article discusses cinematic representations of memory and trauma in post-Yugoslav docu...
The violent disintegration of the federation at the beginning of the 1990s transformed the Yugoslav ...
Jakovljevic considers the concept of theatricality as central to understanding the events that took ...
While literature in transitional justice has addressed conventional retributive and restorative just...