Add to ORKGBetween 1952 and 1956, the British artist Anthony Hill made a small number of abstract, concrete paintings before turning away from painting entirely. This article focuses on Hill’s semiotic approach to his work, using this to explore the position of the 1952–6 paintings within the post-war cultural context and their hostile relation to art critical discourses at the time
Without a doubt, one of the biggest changes that affected XXth century art is the introduction of wo...
The visual arts should be a natural field for the application of semiotic models of analysis; and ye...
This article argues that drawing is a medium of visual communication, using any tool leaving a trace...
In previous articles, the author proposed that paintings can have syntactic rules. In this article h...
Using stmcturalist and post-structuralist theory this thesis responds affirmatively to the question ...
This is a catalogue essay to accompany the exhibition Painting The In-Between, a group show held at ...
Works of art are visual transformations and visual conveyors of a specific mindset in the world. The...
Published in conjunction with Black Dog Publishing, UK, this richly illustrated book includes critic...
The Shape of Language examines the use of form in painting and relates to my studio practice and the...
This article elaborates the dialectical relationship between visual art forms and the social structu...
Because humans cannot know one another’s minds directly, every form of communication is a solution t...
The article focuses on the comparison of verbal and non-verbal visual artworks (paintings) conceived...
I am a painter with a huge attachment to objects. In this painting project I aim to make objects who...
<p>The article analyzes terminological complexes where the concepts of “language” and “art” act as c...
Abstract: This article, a revised and extended version of a presentation to the “6th International ...
Without a doubt, one of the biggest changes that affected XXth century art is the introduction of wo...
The visual arts should be a natural field for the application of semiotic models of analysis; and ye...
This article argues that drawing is a medium of visual communication, using any tool leaving a trace...
In previous articles, the author proposed that paintings can have syntactic rules. In this article h...
Using stmcturalist and post-structuralist theory this thesis responds affirmatively to the question ...
This is a catalogue essay to accompany the exhibition Painting The In-Between, a group show held at ...
Works of art are visual transformations and visual conveyors of a specific mindset in the world. The...
Published in conjunction with Black Dog Publishing, UK, this richly illustrated book includes critic...
The Shape of Language examines the use of form in painting and relates to my studio practice and the...
This article elaborates the dialectical relationship between visual art forms and the social structu...
Because humans cannot know one another’s minds directly, every form of communication is a solution t...
The article focuses on the comparison of verbal and non-verbal visual artworks (paintings) conceived...
I am a painter with a huge attachment to objects. In this painting project I aim to make objects who...
<p>The article analyzes terminological complexes where the concepts of “language” and “art” act as c...
Abstract: This article, a revised and extended version of a presentation to the “6th International ...
Without a doubt, one of the biggest changes that affected XXth century art is the introduction of wo...
The visual arts should be a natural field for the application of semiotic models of analysis; and ye...
This article argues that drawing is a medium of visual communication, using any tool leaving a trace...