The Mikron Theatre Company have been bringing professional theatre to the UK by canal, river and road for nearly 50 years. After depositing their archive with the University of Huddersfield in 2013, the collection has been fully catalogued. This has led to the identification of new and underexplored research topics which have the potential to engage new and diverse audiences. While the University’s theatre department would be a natural audience for this material, their research interests lie elsewhere, which challenged us to explore opportunities for research with other non-theatre disciplines. We have worked with the depositors on important anniversaries, encouraged use of and engagement with the archive with the company’s Friends Group, a...
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and document...
This resource contains a variety of resources that explain the uses of digital archives, where the O...
From stage to archives, performing arts materials never stop to engage with the audience. Even when...
While the major theatre collections of universities and libraries in the UK, Europe and the USA have...
This seminar will discuss the benefits and challenges of undertaking ‘public engagement’ cultural hi...
This article is a partial report on the author’s three-year (2002–2005) study entitled Sources and M...
In ‘Amateur theatre networks in the archive’ David Coates describes how existing scholarship on pre-...
In 2012 the University of Greenwich acquired the reminiscence theatre archive of Pam Schweitzer, fou...
This short chapter addresses a practice-as-research experiment that was generated by undertaking res...
This article considers possible futures for television (TV) studies, imagining how the discipline mi...
Long term, as well as contemporary, access to our cultural and scientific heritage being created in ...
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy f...
This presentation was given as part of the session "Prescripts and Postscripts: Connecting Theatre C...
I have a degree that I cannot find employment pursuing in academia. So, I have had to be flexible in...
The regional film archives of England are owned and operated within different contexts and each one ...
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and document...
This resource contains a variety of resources that explain the uses of digital archives, where the O...
From stage to archives, performing arts materials never stop to engage with the audience. Even when...
While the major theatre collections of universities and libraries in the UK, Europe and the USA have...
This seminar will discuss the benefits and challenges of undertaking ‘public engagement’ cultural hi...
This article is a partial report on the author’s three-year (2002–2005) study entitled Sources and M...
In ‘Amateur theatre networks in the archive’ David Coates describes how existing scholarship on pre-...
In 2012 the University of Greenwich acquired the reminiscence theatre archive of Pam Schweitzer, fou...
This short chapter addresses a practice-as-research experiment that was generated by undertaking res...
This article considers possible futures for television (TV) studies, imagining how the discipline mi...
Long term, as well as contemporary, access to our cultural and scientific heritage being created in ...
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy f...
This presentation was given as part of the session "Prescripts and Postscripts: Connecting Theatre C...
I have a degree that I cannot find employment pursuing in academia. So, I have had to be flexible in...
The regional film archives of England are owned and operated within different contexts and each one ...
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and document...
This resource contains a variety of resources that explain the uses of digital archives, where the O...
From stage to archives, performing arts materials never stop to engage with the audience. Even when...