By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as artistic strategy as well as curatorial practice, and therefore as critical method. As artistic strategy it implies the reactivation (over time) and remediation (on different supports) of images stemming from a vast visual repertoire that artists — especially those working with time-based media (film, video, performance) — appropriate in order to give them new meanings. As curatorial practice and critical method, reenactment regards the remaking of impermanent artworks and the restaging of temporary exhibitions to possibly offer an understanding of (art) history that gives preference to a visual and performative, sometimes immersive, approac...
Sven Lütticken (Vrije Universiteit Amsterdam and Universiteit Leiden) and Susanne Franco (Università...
Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis o...
Tracing the complex history of the term ‘reenactment’, back to R.G. Collingwood’s philosophy of hist...
By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as...
By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenac...
This book brings together dance and visual arts scholars to investigate the key methodological and t...
Over the last twenty years, reenactment has been appropriated by both contemporary artistic producti...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
This book brings together dance and visual arts scholars to investigate the key methodological and t...
This book brings together scholars and curators from the visual arts and dance studies to investigat...
This text is intended to serve as an introduction to ‘re-enactment’, one of the key concepts of the ...
UIDB/04209/2020 UIDP/04209/2020Can reenactments be a way to create counter-narratives in and for th...
Sven Lütticken (Vrije Universiteit Amsterdam and Universiteit Leiden) and Susanne Franco (Università...
Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis o...
Tracing the complex history of the term ‘reenactment’, back to R.G. Collingwood’s philosophy of hist...
By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as...
By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenac...
This book brings together dance and visual arts scholars to investigate the key methodological and t...
Over the last twenty years, reenactment has been appropriated by both contemporary artistic producti...
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alterna...
This book brings together dance and visual arts scholars to investigate the key methodological and t...
This book brings together scholars and curators from the visual arts and dance studies to investigat...
This text is intended to serve as an introduction to ‘re-enactment’, one of the key concepts of the ...
UIDB/04209/2020 UIDP/04209/2020Can reenactments be a way to create counter-narratives in and for th...
Sven Lütticken (Vrije Universiteit Amsterdam and Universiteit Leiden) and Susanne Franco (Università...
Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis o...
Tracing the complex history of the term ‘reenactment’, back to R.G. Collingwood’s philosophy of hist...