Add to ORKGA panorama of uses of music in Venice during the Early Modern period, with reference to State musical culture, non-official institutional patronage (parish and monastic churches, confraternities and guilds), art music in private palaces, and the Festa da Ballo both in private palaces and in public venue
On the basis of archival documents, musical activity at the court of Mantua is studied for the reign...
Scholarship on Italian monody has asserted that the solo madrigal tradition was almost non-existent ...
When Italians took to their balconies during the early COVID-19 quarantine to play music and sing to...
A panorama of uses of music in Venice during the Early Modern period, with reference to State musica...
Proliferation of references to foreign musicians in Venice is hardly favoured by the tendentially im...
At the core of Venetian culture in the seventeenth and eighteenth centuries were the institutions kn...
During the late sixteenth and early seventeenth centuries, Venetian society and politics could be co...
Convegno Internazionale di Studi Architettura e Musica nella Venezia del Rinasciment
Through an examination of the correspondence, published and unpublished, the comparison of the press...
Despite the difficulty of classifying the art music of Istria and Dalmatia, and according to several...
The trumpet is among the most ancient of all musical instruments, and an examination of its history ...
Prince-cardinals Alessandro d’Este (1568-1624) and Maurice de Savoie (1593-1657) were great music lo...
In 2 volsAvailable from British Library Document Supply Centre- DSC:DX187543 / BLDSC - British Libra...
The so-called Prima Prattica style of sixteenth-century polyphonic music was largely codified throug...
The soundscape of a city in the early modern period has generally been approached from the double pe...
On the basis of archival documents, musical activity at the court of Mantua is studied for the reign...
Scholarship on Italian monody has asserted that the solo madrigal tradition was almost non-existent ...
When Italians took to their balconies during the early COVID-19 quarantine to play music and sing to...
A panorama of uses of music in Venice during the Early Modern period, with reference to State musica...
Proliferation of references to foreign musicians in Venice is hardly favoured by the tendentially im...
At the core of Venetian culture in the seventeenth and eighteenth centuries were the institutions kn...
During the late sixteenth and early seventeenth centuries, Venetian society and politics could be co...
Convegno Internazionale di Studi Architettura e Musica nella Venezia del Rinasciment
Through an examination of the correspondence, published and unpublished, the comparison of the press...
Despite the difficulty of classifying the art music of Istria and Dalmatia, and according to several...
The trumpet is among the most ancient of all musical instruments, and an examination of its history ...
Prince-cardinals Alessandro d’Este (1568-1624) and Maurice de Savoie (1593-1657) were great music lo...
In 2 volsAvailable from British Library Document Supply Centre- DSC:DX187543 / BLDSC - British Libra...
The so-called Prima Prattica style of sixteenth-century polyphonic music was largely codified throug...
The soundscape of a city in the early modern period has generally been approached from the double pe...
On the basis of archival documents, musical activity at the court of Mantua is studied for the reign...
Scholarship on Italian monody has asserted that the solo madrigal tradition was almost non-existent ...
When Italians took to their balconies during the early COVID-19 quarantine to play music and sing to...