Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap related alterations in paintings. The phenomenon presents particular challenges for conservators as the surface deposits that form are insoluble and intimately bound with the paint film. The superficial deposits accumulate following migration of metal carboxylates, a product formed within the paint film from reaction of free fatty acids with metal ions from pigments and/or driers. Upon deposition at the surface, the metal carboxylates undergo a process of remineralisation, the products of which are determined by the atmospheric conditions that the painting is exposed to. The material can appear optically similar to the whitish haze of organic ...
Metal soap formation is one of the most wide-spread degradation mechanisms observed in historical oi...
Conspectus The 20th and 21st century oil paintings are presenting a range of challenging conservatio...
Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternat...
Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap r...
Currently, approximately 70% of paintings in museum collections are affected by the presence of meta...
In this study, an overview of the symptoms of lead soaps reported in artworks in combination\nwith t...
During a routine condition survey in 2007 at the Georgia O’Keeffe Museum in Santa Fe, micro-protrusi...
The formation of Pb, Zn, and Cu carboxylates (soaps) has caused visible deterioration in hundreds of...
Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaiss...
The majority of oil paintings in museum collections suffer from various chemo-mechanical degradation...
Scientific investigations have shown that the exposure of oil paintings to organic solvents for the ...
Metal soap formation is recognised as a critical degradation mechanism in historical oil paintings, ...
Metal soap formation is one of the most wide-spread degradation mechanisms observed in historical oi...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appear...
Metal soap formation is one of the most wide-spread degradation mechanisms observed in historical oi...
Conspectus The 20th and 21st century oil paintings are presenting a range of challenging conservatio...
Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternat...
Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap r...
Currently, approximately 70% of paintings in museum collections are affected by the presence of meta...
In this study, an overview of the symptoms of lead soaps reported in artworks in combination\nwith t...
During a routine condition survey in 2007 at the Georgia O’Keeffe Museum in Santa Fe, micro-protrusi...
The formation of Pb, Zn, and Cu carboxylates (soaps) has caused visible deterioration in hundreds of...
Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaiss...
The majority of oil paintings in museum collections suffer from various chemo-mechanical degradation...
Scientific investigations have shown that the exposure of oil paintings to organic solvents for the ...
Metal soap formation is recognised as a critical degradation mechanism in historical oil paintings, ...
Metal soap formation is one of the most wide-spread degradation mechanisms observed in historical oi...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appear...
Metal soap formation is one of the most wide-spread degradation mechanisms observed in historical oi...
Conspectus The 20th and 21st century oil paintings are presenting a range of challenging conservatio...
Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternat...