Wang Bing's Jiabiangou/The Ditch premiered as a competition entry at the Venice Film Festival 2010 after a six-year-long production process. It is Wang Bing's first full-length feature film after he established his reputation as a leading documentary film-maker on the international film scene thanks to the worldwide acclaimed Tiexi qu/West of the Tracks (2002) and He Fengming (2007). This article provides a reading of The Ditch (2010), based on a contextual investigation of the interplay of documentary and fiction, an high-end film aesthetics, and Wang Bing's concern with the role of the film-maker vis-a-vis a sensitive historical subject, here the Antirightist movement (1957-1960). Comolli's discussion of historical films and Paso...