For decades, comic books have been a prevalent media format through which cultural perceptions of masculinity are disseminated. Batman is an exemplary character who is expected to perform and behave in a manner that corresponds with social constructs of the American masculine identity: strong, dominant, and protective. These gendered traits, as represented through Batman’s body and relationships with various allies, are analyzed through the lens of R.W. Connell’s theory of dominant and subordinated masculinities (derived from her larger theory of hegemonic masculinity). As our cultural perception of masculinity has shifted, so has the visual representation of Batman over his eighty-year history with contemporary depictions presenting the...
This thesis is concerned with the legacy of cultural representations of masculine violence as it man...
This study analyzes the changes in physical presentation of several DC comic book superheroes, findi...
In this dissertation, I argue that comic books are a form of dynamic and performative aesthetic comm...
For decades, comic books have been a prevalent media format through which cultural perceptions of ma...
Batman is “the world’s most popular superhero.”¹ An icon of American exceptionalism, Batman has bee...
Comics are an integral aspect of America's development and culture. The comics have chronicled hist...
Salyers analyzes Frank Miller\u27s Batman: The Dark Knight Returns as both a product of and a commen...
My purpose in this research was to investigate the impact of cultural and historical contexts on cha...
The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no o...
I’ll never forget the first moment, I truly realized who Batman was. No, I’m not talking about (SARC...
Batman is one of superheroes who are idolized by people. They like him for the way he beats the vill...
The desire for heroes is a global and cultural phenomenon that gives a view into society’s very hear...
I. Appeals of Multiple Masculinities: Maintaining Hegemonic Heteronormative Masculinity in the 21st ...
This Independent Study traces the changing notions of what makes a superhero “super” throughout peri...
This thesis examines occurrences of hypermasculinity in examples from the genre of comic book fictio...
This thesis is concerned with the legacy of cultural representations of masculine violence as it man...
This study analyzes the changes in physical presentation of several DC comic book superheroes, findi...
In this dissertation, I argue that comic books are a form of dynamic and performative aesthetic comm...
For decades, comic books have been a prevalent media format through which cultural perceptions of ma...
Batman is “the world’s most popular superhero.”¹ An icon of American exceptionalism, Batman has bee...
Comics are an integral aspect of America's development and culture. The comics have chronicled hist...
Salyers analyzes Frank Miller\u27s Batman: The Dark Knight Returns as both a product of and a commen...
My purpose in this research was to investigate the impact of cultural and historical contexts on cha...
The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no o...
I’ll never forget the first moment, I truly realized who Batman was. No, I’m not talking about (SARC...
Batman is one of superheroes who are idolized by people. They like him for the way he beats the vill...
The desire for heroes is a global and cultural phenomenon that gives a view into society’s very hear...
I. Appeals of Multiple Masculinities: Maintaining Hegemonic Heteronormative Masculinity in the 21st ...
This Independent Study traces the changing notions of what makes a superhero “super” throughout peri...
This thesis examines occurrences of hypermasculinity in examples from the genre of comic book fictio...
This thesis is concerned with the legacy of cultural representations of masculine violence as it man...
This study analyzes the changes in physical presentation of several DC comic book superheroes, findi...
In this dissertation, I argue that comic books are a form of dynamic and performative aesthetic comm...