The "death of photography" is a metaphor of the advent of digital photography. It refers to the end of a medium whose messages were indexical signs of referential objects. Digital image making creates pictures which have lost their referent, but such loss of the photographic referent already existed in traditional photography. Several forms and modalities of this disappearance of the referent in traditional photography are the topic of this paper, e. g., falsification by retouch or the total abstraction from referent in "abstract photography". Special attention is given to the loss of the referent due to photographic self-reference. The photo in the photo, but also the abstract photo aim at hiding the photographic referent partly or even co...
We are entering a post-photography period, a moment after but not beyond photography. A diminuition ...
Using my family experience as an auto-ethnographic case, I consider how photography creates postmemo...
What is death in contemporary world? “Faked”, multiplied by movies and games, it becomes standard, i...
The canonic texts devoted to photography, written by R. Barthes and S. Sontag, have preserved the pe...
This paper proposes a re-reading of La chambre claire (1980) from a mourning-grief approach —through...
Photography And Death – Entaglement And Real ContactThe canonic texts devoted to photography,...
This thesis traces the complicated and contradictory historical ontology of photography by examining...
Bring death to life. The motif of death in photographyThe text is a reflection on the subject of us...
<p>What insightful connections can be drawn between the history of photography and today’s media hab...
The regrettably well-known photographs of the Chinese torture which were so inspiring for Bataille w...
This dissertation is focused on a question of the contemporary phenomenon: crisis of death. It conce...
Examining a spectrum of post-mortem images, this volume considers what death photography communicate...
This article attempts to understand the fate of conventional notions of photographic indexicality an...
Face à l’émergence de la culture numérique, le marché de l’image subit depuis plusieurs années une s...
Cette thèse porte sur l’examen du mode d’opération du remploi photographique en art contemporain, et...
We are entering a post-photography period, a moment after but not beyond photography. A diminuition ...
Using my family experience as an auto-ethnographic case, I consider how photography creates postmemo...
What is death in contemporary world? “Faked”, multiplied by movies and games, it becomes standard, i...
The canonic texts devoted to photography, written by R. Barthes and S. Sontag, have preserved the pe...
This paper proposes a re-reading of La chambre claire (1980) from a mourning-grief approach —through...
Photography And Death – Entaglement And Real ContactThe canonic texts devoted to photography,...
This thesis traces the complicated and contradictory historical ontology of photography by examining...
Bring death to life. The motif of death in photographyThe text is a reflection on the subject of us...
<p>What insightful connections can be drawn between the history of photography and today’s media hab...
The regrettably well-known photographs of the Chinese torture which were so inspiring for Bataille w...
This dissertation is focused on a question of the contemporary phenomenon: crisis of death. It conce...
Examining a spectrum of post-mortem images, this volume considers what death photography communicate...
This article attempts to understand the fate of conventional notions of photographic indexicality an...
Face à l’émergence de la culture numérique, le marché de l’image subit depuis plusieurs années une s...
Cette thèse porte sur l’examen du mode d’opération du remploi photographique en art contemporain, et...
We are entering a post-photography period, a moment after but not beyond photography. A diminuition ...
Using my family experience as an auto-ethnographic case, I consider how photography creates postmemo...
What is death in contemporary world? “Faked”, multiplied by movies and games, it becomes standard, i...