In the summer of 2018, an emerging theatre company produced Stop Kiss by Diana Son in Waterloo, Iowa, a mid-size industrial town adjacent to the city of Cedar Falls, which hosts a small public university. In Stop Kiss, the two lead characters are women fall romantically for each other, so that in performing their characters the actors embody same-sex sexuality. This paper will explore how the actors playing these two characters engaged with this embodiment, and how doing so affected them
This dissertation examines the ways performance offers opportunities to resist sexist, racist, homop...
The traditional power dynamic of theater rehearsal spaces is based in a culture in which the directo...
This piece of writing is aimed at theatre practitioners who might not have a background in feminist ...
The art of acting requires the authentic embodiment of another being; what happens in this process w...
In the summer of 2018, an emerging theatre company produced Stop Kiss by Diana Son in Waterloo, Iowa...
VAC Auditorium Deirdre Price, Towards an Embodied Queer Dramaturgy As an undergraduate developing my...
The issue of LGBT is becoming one of the research fields investigated in literary studies. This topi...
Editorial For those working in the theory and practice - or both - of performing arts today, we ...
This thesis examines the relationship between LGBTQ+ representation on the political and theatrical ...
This dissertation analyzes the ways in which a few theater companies at the turn of the millennium h...
In the tradition of queer fringe theatre, Carmen - Good Ship Lollipop: a solo performance was writte...
Musicals have always tended to center romantic relationships, engaging these relationships both as a...
Title from PDF of title page (University of Missouri--Columbia, viewed on October 18, 2012).The enti...
I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay polit...
Responses to creating trainings for LGBTQ + and other marginalized student groups tend either toward...
This dissertation examines the ways performance offers opportunities to resist sexist, racist, homop...
The traditional power dynamic of theater rehearsal spaces is based in a culture in which the directo...
This piece of writing is aimed at theatre practitioners who might not have a background in feminist ...
The art of acting requires the authentic embodiment of another being; what happens in this process w...
In the summer of 2018, an emerging theatre company produced Stop Kiss by Diana Son in Waterloo, Iowa...
VAC Auditorium Deirdre Price, Towards an Embodied Queer Dramaturgy As an undergraduate developing my...
The issue of LGBT is becoming one of the research fields investigated in literary studies. This topi...
Editorial For those working in the theory and practice - or both - of performing arts today, we ...
This thesis examines the relationship between LGBTQ+ representation on the political and theatrical ...
This dissertation analyzes the ways in which a few theater companies at the turn of the millennium h...
In the tradition of queer fringe theatre, Carmen - Good Ship Lollipop: a solo performance was writte...
Musicals have always tended to center romantic relationships, engaging these relationships both as a...
Title from PDF of title page (University of Missouri--Columbia, viewed on October 18, 2012).The enti...
I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay polit...
Responses to creating trainings for LGBTQ + and other marginalized student groups tend either toward...
This dissertation examines the ways performance offers opportunities to resist sexist, racist, homop...
The traditional power dynamic of theater rehearsal spaces is based in a culture in which the directo...
This piece of writing is aimed at theatre practitioners who might not have a background in feminist ...