The question of whether or not the vibrato, which is found in the singing voice of all vocal artists and of some untrained adults, and occasionally in the speaking voice, is learned, or is due to some inborn physiological characteristic is one which has been the subject of considerable speculation. Upon this question rest the answers to such questions as these: Will there come a day when voices with vibrato will not be considered beautiful? Should the vibrato be expected to appear automatically when a student of singing learns to vocalize properly or is there a special technique to be acquired
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Objectives: Vibrato is considered one of the most essential characteristics of the classical singing...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
The question of whether or not the vibrato, which is found in the singing voice of all vocal artists...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
This study is concerned with the production of the vibrato on the violin, viola, and violincello. Co...
The differences in the damping constants of tuning forks while testing hearing by both air and bone ...
In this paper the production of vocal vibrato is investigated. The most relevant features of the ac...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
The aim of this study was to compare female vibrato rates in two styles of singing, western classica...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
One of the main features of lyrical singing is vibrato. This research focuses on studying vocal vibr...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Objectives: Vibrato is considered one of the most essential characteristics of the classical singing...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
The question of whether or not the vibrato, which is found in the singing voice of all vocal artists...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
This study is concerned with the production of the vibrato on the violin, viola, and violincello. Co...
The differences in the damping constants of tuning forks while testing hearing by both air and bone ...
In this paper the production of vocal vibrato is investigated. The most relevant features of the ac...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
The aim of this study was to compare female vibrato rates in two styles of singing, western classica...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
One of the main features of lyrical singing is vibrato. This research focuses on studying vocal vibr...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Objectives: Vibrato is considered one of the most essential characteristics of the classical singing...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...