Add to ORKGis one of your recent essays, you have declared that, in your novels, you have \u27written about a country bearing resemblances to Somalia\u27; at other times you Have said that the world described in them is, after all, a \u27country of your imagination\u27: don\u27t you think that this imaginative element is true of all historical fiction
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work of Nuruddin Fara...
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of ...
Nuruddin Farah’s ‘Blood in the Sun’ trilogy is a socio-political voyage into the Somali life and con...
During his exile, Nuruddin Farah believed that he would return to a democratic Somalia once Muhammed...
This article explores the role of the returnee protagonist in selected works of Nuruddin Farah. Nadi...
This article explores the role of the returnee protagonist in selected works of Nuruddin Farah. Nadi...
In Farah\u27s fiction Somali oral traditions are shown to possess a resilient strength and even a re...
The article entitled "Nation and Narrative: A Study of Nuruddin Farah's Maps" attempts a postcolonia...
Somali citizens, both at home and abroad, have been reduced to a life of uncertainty, instability an...
Acclaimed Somali writer Nuruddin Farah's non-fiction text is based upon a number of interviews to So...
Maps, given its intriguing narrative thrusts and multi-axial thematic concerns, is arguably the most...
This article connects recent research on failed states with Nuruddin Farah’s novel Knots to argue th...
The commissioning of a theme issue on the work of Farah in a South African literary journal therefor...
Both Armah and Ngugi have grappled with the trajectory of the continent’s history. Whether in their ...
Nuruddin Farah’s life and work is used in Pascale Casanova’s The World Republic of Letters to exempl...
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work of Nuruddin Fara...
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of ...
Nuruddin Farah’s ‘Blood in the Sun’ trilogy is a socio-political voyage into the Somali life and con...
During his exile, Nuruddin Farah believed that he would return to a democratic Somalia once Muhammed...
This article explores the role of the returnee protagonist in selected works of Nuruddin Farah. Nadi...
This article explores the role of the returnee protagonist in selected works of Nuruddin Farah. Nadi...
In Farah\u27s fiction Somali oral traditions are shown to possess a resilient strength and even a re...
The article entitled "Nation and Narrative: A Study of Nuruddin Farah's Maps" attempts a postcolonia...
Somali citizens, both at home and abroad, have been reduced to a life of uncertainty, instability an...
Acclaimed Somali writer Nuruddin Farah's non-fiction text is based upon a number of interviews to So...
Maps, given its intriguing narrative thrusts and multi-axial thematic concerns, is arguably the most...
This article connects recent research on failed states with Nuruddin Farah’s novel Knots to argue th...
The commissioning of a theme issue on the work of Farah in a South African literary journal therefor...
Both Armah and Ngugi have grappled with the trajectory of the continent’s history. Whether in their ...
Nuruddin Farah’s life and work is used in Pascale Casanova’s The World Republic of Letters to exempl...
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work of Nuruddin Fara...
I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of ...
Nuruddin Farah’s ‘Blood in the Sun’ trilogy is a socio-political voyage into the Somali life and con...