This paper resituates Thomas Whythorne in the music history of England. Whythorne was unknown even at his period, although he had published his music twice. Sadly enough, his music had been estimated to be 'second-class', until when a part of his music was transcribed and published in 1927. Since then, his music has been re-evaluated in the flourishing of secular songs in late 16th century England. The author of this paper would reveal that his significance was not only in that point, but also in the music education of that period. For this purpose, it would be unveiled the educative features of his second music book, Duos, or Songs for Two V oyces (1590)
Bibliography: leaves 560-582ixx [i.e. xix] 582 leaves : music ; 30 cm.Thesis (Ph.D.)--Dept. of Music...
This article seeks to cast fresh light on the connections between music, education and the Reformati...
Abstract“Buy, Reade, Regard”: Learning to Sing and Play through the Printed Page in Early Modern Eng...
This paper resituates Thomas Whythorne in the music history of England. Whythorne was unknown even a...
The autobiography of Tudor musician Thomas Whythorne (1528-1596) is rich with self-exploration, soci...
This dissertation explores the earliest extant works of music theory printed in England, beginning i...
The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early...
The second half of the seventeenth century was a period of considerable upheaval in English music, ...
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a d...
Art reflects the age in which it is produced, and any facet of Art, such as music or poetry, by virt...
Jacket title: The story of English music.The evolution of the pianoforte, by T.L. Southgate.--Our En...
There were various discussions on, and re-evaluations of, the interrelations of the arts in Engand i...
This study is concerned with the style (as opposed to the function) of English vocal polyphony durin...
The so-called ‘Hamond’ partbooks (British Library, Add. MSS 30480-4) were copied over a period of c....
Thomas Morley’s family background in Norwich and his later life in London placed him amongst the edu...
Bibliography: leaves 560-582ixx [i.e. xix] 582 leaves : music ; 30 cm.Thesis (Ph.D.)--Dept. of Music...
This article seeks to cast fresh light on the connections between music, education and the Reformati...
Abstract“Buy, Reade, Regard”: Learning to Sing and Play through the Printed Page in Early Modern Eng...
This paper resituates Thomas Whythorne in the music history of England. Whythorne was unknown even a...
The autobiography of Tudor musician Thomas Whythorne (1528-1596) is rich with self-exploration, soci...
This dissertation explores the earliest extant works of music theory printed in England, beginning i...
The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early...
The second half of the seventeenth century was a period of considerable upheaval in English music, ...
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a d...
Art reflects the age in which it is produced, and any facet of Art, such as music or poetry, by virt...
Jacket title: The story of English music.The evolution of the pianoforte, by T.L. Southgate.--Our En...
There were various discussions on, and re-evaluations of, the interrelations of the arts in Engand i...
This study is concerned with the style (as opposed to the function) of English vocal polyphony durin...
The so-called ‘Hamond’ partbooks (British Library, Add. MSS 30480-4) were copied over a period of c....
Thomas Morley’s family background in Norwich and his later life in London placed him amongst the edu...
Bibliography: leaves 560-582ixx [i.e. xix] 582 leaves : music ; 30 cm.Thesis (Ph.D.)--Dept. of Music...
This article seeks to cast fresh light on the connections between music, education and the Reformati...
Abstract“Buy, Reade, Regard”: Learning to Sing and Play through the Printed Page in Early Modern Eng...