Asvaghosa's Saundaranandakavya is a work of which theme is a legend of the conversion of a reluctant man called Nanda, the Buddha's half-brother. Asvaghosa claims that, on account of the attractiveness and popularity of kavya, he uses the kavya style as a mere means for Buddhist teachings. At the end of the work he says ""This poem, dealing thus with the subject of Salvation has been written in the Kavya style, not to give pleaseure, but to further the attainment of tranquillity and with the intention of capturing hearers devoted to other things. For, that I have handled other subjects in it besides Salvation is in accordance with the laws of Kavya poetry to make it palatable, as sweet is put into a bitter medicine to make it drinkable."" (...
Govindadasa\u27s Kalikamangal, a narrative poem in praise of the goddess Kal(\u27)i, belongs to the ...
Theistic Vedānta originated with Rāmānuja (1077-1157), who was one of the foremost theologians of Vi...
"In the latter half of the Saundarananda, more precisely from Cantos XII to XVII,Asvaghosa skillfull...
Asvaghosa's Saundaranandakavya is a work of which theme is a legend of the conversion of a reluctant...
Asvaghosa's Saundaranandakavya is a work of which theme is a legend of the conversion of a reluctant...
The Padyacudamani is a Sanskrit mahakavya narrating the life and feats of the “historical” Buddha. I...
This thesis proposes a new approach to reading and understanding a Buddhist literary work as a form ...
It was the time when Buddhism was on the decline in India after flourishing for nearly a thousand ye...
What is dharmacakra? What kind of relationship is established between dharma and cakra? Although num...
The culture of asceticism is especially wide-spread in India, and the ascetic ideal has been the mos...
The Upāsakajanālaṅkāra emerged as a medieval, Pāli language, Buddhist compendium sometime in the lat...
Wonder that is India. India is wonderful because of its abundant and affluent cultural heritage. The...
textYajnavalkya is perhaps the most important literary figure in ancient India prior to the Buddha....
Acarya Samantabhadra’s Svayambhustotra (2nd century CE) is a fine composition in Sanskrit dedicated ...
The writer of the present paper interprets early Mahayana Buddhist doctrines as arising from miracul...
Govindadasa\u27s Kalikamangal, a narrative poem in praise of the goddess Kal(\u27)i, belongs to the ...
Theistic Vedānta originated with Rāmānuja (1077-1157), who was one of the foremost theologians of Vi...
"In the latter half of the Saundarananda, more precisely from Cantos XII to XVII,Asvaghosa skillfull...
Asvaghosa's Saundaranandakavya is a work of which theme is a legend of the conversion of a reluctant...
Asvaghosa's Saundaranandakavya is a work of which theme is a legend of the conversion of a reluctant...
The Padyacudamani is a Sanskrit mahakavya narrating the life and feats of the “historical” Buddha. I...
This thesis proposes a new approach to reading and understanding a Buddhist literary work as a form ...
It was the time when Buddhism was on the decline in India after flourishing for nearly a thousand ye...
What is dharmacakra? What kind of relationship is established between dharma and cakra? Although num...
The culture of asceticism is especially wide-spread in India, and the ascetic ideal has been the mos...
The Upāsakajanālaṅkāra emerged as a medieval, Pāli language, Buddhist compendium sometime in the lat...
Wonder that is India. India is wonderful because of its abundant and affluent cultural heritage. The...
textYajnavalkya is perhaps the most important literary figure in ancient India prior to the Buddha....
Acarya Samantabhadra’s Svayambhustotra (2nd century CE) is a fine composition in Sanskrit dedicated ...
The writer of the present paper interprets early Mahayana Buddhist doctrines as arising from miracul...
Govindadasa\u27s Kalikamangal, a narrative poem in praise of the goddess Kal(\u27)i, belongs to the ...
Theistic Vedānta originated with Rāmānuja (1077-1157), who was one of the foremost theologians of Vi...
"In the latter half of the Saundarananda, more precisely from Cantos XII to XVII,Asvaghosa skillfull...