Oral presentation delivered at Annual conference of the International Association for Media and Communication Research IAMCR, Université du Québec à Montréal, 13th July 2015.Item not available in this repository.This paper deals with the issue of the representation of rape within contemporary cinema. It begins with the current UK regulatory guidelines set out by the BBFC which censure any apparent endorsement of depictions of rape, by encouraging an aesthetic of trauma and aversion. However, I will argue that this commitment to aversion may actively work against a feminist politic by transposing the everyday lived reality of rape into a realm of 'hyperbolic shock' (Kennedy and Smith, 2012). A case in point being the problematic depicti...
This dissertation questions the aesthetic, affective, and ethical dimensions of the relationship bet...
In performing its duties as a regulator of the moving image, the BBFC is obliged to balance the righ...
The focus of my research is on the stability and durability of the horror film genre to sustain the ...
This paper will concern itself with the issue of the representation of rape within contemporary cine...
Item not available in this repository.Oral presentation delivered at Cine-Excess IX: historical trau...
This paper analyses achievements of Serbian cinematography after 2000, which narrative strategies...
Rape‐revenge is one of cinema studies’ neglected genres, even in spite of the plethora of examples g...
This paper explores the practice and the political context of war rapes in the former Yugoslavia (19...
War rape seals the status of women as passive victims and excludes them from heroic narratives. Desp...
University of Technology Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. A...
Representations of rape in film have contributed significantly to the mass of representations of rap...
This article argues that censorship studies must concern themselves with matters beyond the actions ...
This paper investigates how women, and their roles in changing Yugoslav society, were represented in...
The linguistics of violence in film and on television is a hotly debated topic, especially whenever ...
In the years since its release, A Serbian Film (Spasojević, 2010) has been discussed in academic ter...
This dissertation questions the aesthetic, affective, and ethical dimensions of the relationship bet...
In performing its duties as a regulator of the moving image, the BBFC is obliged to balance the righ...
The focus of my research is on the stability and durability of the horror film genre to sustain the ...
This paper will concern itself with the issue of the representation of rape within contemporary cine...
Item not available in this repository.Oral presentation delivered at Cine-Excess IX: historical trau...
This paper analyses achievements of Serbian cinematography after 2000, which narrative strategies...
Rape‐revenge is one of cinema studies’ neglected genres, even in spite of the plethora of examples g...
This paper explores the practice and the political context of war rapes in the former Yugoslavia (19...
War rape seals the status of women as passive victims and excludes them from heroic narratives. Desp...
University of Technology Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. A...
Representations of rape in film have contributed significantly to the mass of representations of rap...
This article argues that censorship studies must concern themselves with matters beyond the actions ...
This paper investigates how women, and their roles in changing Yugoslav society, were represented in...
The linguistics of violence in film and on television is a hotly debated topic, especially whenever ...
In the years since its release, A Serbian Film (Spasojević, 2010) has been discussed in academic ter...
This dissertation questions the aesthetic, affective, and ethical dimensions of the relationship bet...
In performing its duties as a regulator of the moving image, the BBFC is obliged to balance the righ...
The focus of my research is on the stability and durability of the horror film genre to sustain the ...