Add to ORKGThis paper articulates an approach to art and design practice that questions two fundamental assumptions: firstly, it is not framed by the creative practice of an individual artist delivering an authored artwork to a public or audience; secondly, it involves, in a creative process, people who do not necessarily or readily define themselves as creative in relation to their everyday life
Jacobs argues that economies follow the same rules as ecological systems. They behave in the same wa...
This case study describes how the author is constructing a national network to support research to e...
The plethora and availability of digital tools and practices have transformed the ways art is create...
Our research is concerned with the changing nature of public art. We work with the experience of mak...
This paper reviews the projects that fed into the On the Edge research programme between 2001-2004. ...
In 2001-4, a small research team of post doctoral and doctoral artist researchers, working with five...
The hunch behind Working in Public is that art now exists in the public sphere in unprecedented ways...
docARTES is an international inter-university doctoral programme for practice-based research in musi...
The participatory principle, though bred in late twentieth century countercultural politics, is an e...
In life there exists no script. The primacy of experience in the form of 'trying out' or improvisati...
An understanding of the relationship between systems of production and systems of value in the visua...
This exercise started from a hunch that it would be useful to break out of the somewhat enclosed dis...
Despite innovative developments in research in-and-through the arts in the past decade, the emergent...
Presentation given at the invitation of a group of Public Art Officers, as an "Urgent Enquiry" semin...
This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic ...
Jacobs argues that economies follow the same rules as ecological systems. They behave in the same wa...
This case study describes how the author is constructing a national network to support research to e...
The plethora and availability of digital tools and practices have transformed the ways art is create...
Our research is concerned with the changing nature of public art. We work with the experience of mak...
This paper reviews the projects that fed into the On the Edge research programme between 2001-2004. ...
In 2001-4, a small research team of post doctoral and doctoral artist researchers, working with five...
The hunch behind Working in Public is that art now exists in the public sphere in unprecedented ways...
docARTES is an international inter-university doctoral programme for practice-based research in musi...
The participatory principle, though bred in late twentieth century countercultural politics, is an e...
In life there exists no script. The primacy of experience in the form of 'trying out' or improvisati...
An understanding of the relationship between systems of production and systems of value in the visua...
This exercise started from a hunch that it would be useful to break out of the somewhat enclosed dis...
Despite innovative developments in research in-and-through the arts in the past decade, the emergent...
Presentation given at the invitation of a group of Public Art Officers, as an "Urgent Enquiry" semin...
This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic ...
Jacobs argues that economies follow the same rules as ecological systems. They behave in the same wa...
This case study describes how the author is constructing a national network to support research to e...
The plethora and availability of digital tools and practices have transformed the ways art is create...