This exhibition was commissioned (in 2016) by the Sainsbury Centre (SCVA) to mark the 40th anniversary of the building, designed by Norman Foster. It was the first critical reassessment of the form of late modern architecture and design known as ‘High Tech’. Containing c.150 exhibits, it explored the making of the SCVA itself, as a key to understanding this approach to architecture and engineering; the creative, technical and visionary precedents for modern High Tech, with historical exhibits covering over 150 years of engineering and design; and a typology of late modern architecture from museums and buildings for industry, to transport structures, corporate, retail and domestic architecture. Research questions included: how did High ...
'Architectures of Display' departs from the premise that the presentation of merchandise cannot be s...
At a time when the production of architecture is undergoing significant change, Industries of Archit...
Exhibition design conjoins distinct architectural and curatorial requirements. It is proposed that t...
Culminating during the first half of the twentieth century, the modern movement in architecture can ...
The Stockholm exhibition 1930 has an aura of something mythical, iconic to many people, not only arc...
In this senior project, I endeavor to compare three important architectural exhibitions, between the...
In the historiography of architecture and engineering, international exhibitions are often character...
This travelling exhibition was the result of my long interest in re-examining a critical stage of th...
At Expo 58, the first post-war world’s fair, architecture was attributed a prominent role by both or...
For those involved in design, both in terms of research and teaching, it is important to reflect on ...
This project examines four architecture exhibitions held between 1979 and 1989 in Melbourne. I have ...
Fleur Watson writes about the history and evolution of architecture exhibitions and the role of the ...
Early 20th-century modern architecture is a product of the Industrial Revolution. According to estab...
Apart from numerous surveys of archives, museums or exhibitions, few major works on the symbiotic re...
The aim of the research is to analyse basic tendencies in modern architecture on the example of temp...
'Architectures of Display' departs from the premise that the presentation of merchandise cannot be s...
At a time when the production of architecture is undergoing significant change, Industries of Archit...
Exhibition design conjoins distinct architectural and curatorial requirements. It is proposed that t...
Culminating during the first half of the twentieth century, the modern movement in architecture can ...
The Stockholm exhibition 1930 has an aura of something mythical, iconic to many people, not only arc...
In this senior project, I endeavor to compare three important architectural exhibitions, between the...
In the historiography of architecture and engineering, international exhibitions are often character...
This travelling exhibition was the result of my long interest in re-examining a critical stage of th...
At Expo 58, the first post-war world’s fair, architecture was attributed a prominent role by both or...
For those involved in design, both in terms of research and teaching, it is important to reflect on ...
This project examines four architecture exhibitions held between 1979 and 1989 in Melbourne. I have ...
Fleur Watson writes about the history and evolution of architecture exhibitions and the role of the ...
Early 20th-century modern architecture is a product of the Industrial Revolution. According to estab...
Apart from numerous surveys of archives, museums or exhibitions, few major works on the symbiotic re...
The aim of the research is to analyse basic tendencies in modern architecture on the example of temp...
'Architectures of Display' departs from the premise that the presentation of merchandise cannot be s...
At a time when the production of architecture is undergoing significant change, Industries of Archit...
Exhibition design conjoins distinct architectural and curatorial requirements. It is proposed that t...