Batić kao bitan čimbenik promjene zvuka modernog klavira u 20. stoljeću

Ovaj rad bazira se na korisnim i edukativnim informacijama o klaviru kao glazbenom instrumentu, njegovom zvuku i ljepoti, ali i kompleksnosti pojedinih detalja bez kojih se sjajni rezultati u zvuku ne bi mogli realizirati. Posebna pažnja posvećena je utjecaju batića na zvuk klavira obzirom na materijal, način izrade i kasnije tretiranje batića. Već dva stoljeća klavir smatramo najuniverzalnijim glazbenim instrumentom uopće, ali i najkompleksnijim, što potvrđuje podatak da je sastavljen od nekoliko tisuća dijelova! Svaki dio ima svoju ulogu, ali neki ipak imaju veći utjecaj na kvalitetu i projekciju zvuka. Iz tog razloga, osim na općim informacijama oko gradnje klavira ovaj rad bazirat će se na konkretnim usporedbama i analizama pojedinih dijelova, a prije svega batića.This paper is based on useful and educational information about the piano as a musical instrument, its sound and beauty, as well as the complexity of certain details without which the brilliant results could not be realized. Special attention is given to the impact of the piano hammer on sound of the piano depending on the material, the ways of making and the subsequent treatment of the piano hammers. For two centuries the piano is considered the most universal musical instrument at all, but also the most complex, which is stated in the fact that it is made up of several thousand pieces! Each part has its own role, but some have a greater impact on the tone quality and sound projection. For this reason, apart from the general information on the construction of the piano, this paper will be based on concrete comparisons and analyzes of individual parts, but above all, the piano hammer