Recording the narratives of those who live with HIV, or whose lives have been subsequently taken by AIDS, has been imperative for the mediation of gay male identities in the Western world since the late 1980s. As a genre, HIV/AIDS life writing, or testimony, has been crucial as it offers a means of reflecting on the ravages of the disease by positioning authors as intimate witnesses. This thesis examines the role and constitution of intimacy in HIV/AIDS life writing. It challenges studies of HIV/AIDS life writing that declare these to be grounded in the "presumption of fatality" (Couser) and instead draws on the Spinozian formulation, later taken up by Gilles Deleuze, that we do not even know what bodies can do. Taking this further, this pr...