[[abstract]]Taiwan Bangzi originally came from Henan province in China. Within the evolution in Taiwan society, it reveals a strong tendency of localisation in the past ten years. This paper will examine three contemporary operas from three perspectives: content of scripts, stage-performing methods and music, in order to demonstrate the ongoing and strengthening process of localisation and crossover of Taiwan Bangzi in this decade. The intention and evidence of localisation in Taiwan Bangzi can be found through the analysis in this paper from three aspects and a comparison in figures and music examples
The term Taiwanese first came into use after World War II. In 1949, civil war (the Communist Revolut...
This thesis explores how opera as an imported artform has taken root and develops within the new con...
Guoyue. literally "national music", is a hybrid musical genre that originated from mainland China mi...
[[abstract]]A foreign Henan Opera has survived, changed, and localised and established its Taiwan id...
[[abstract]]ABSTRACT In modern Taiwan, the theory of Peking Opera is divided into three phases. Befo...
With its disputed international status and a recently proindependence government, Taiwan is striving...
[[abstract]]The professional Taiwanese Stage Opera Troupe “Gong-Le-She” first produced Taiwanese Ope...
Gezi Opera is the only kind of opera that uses Yangqin as the accompaniment instrument in the social...
Xing-ju literally means 'New Theatre' in Mandarin and denotes the non-traditional performing style i...
[[abstract]]This thesis is a music research of Kun Opera. The main body of it is based on “The Peony...
Th at the performance of traditional Chinese music underwent tremendous stylistic change in the 20th...
Modern opera in China has developed during many important historical periods, such as the Republic o...
Introduction of Western-style drama into China in the early twentieth century produced a new dramat...
Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuri...
[[abstract]]Previous Taiwanese opera style is controlled by the performer’s improvisation. However, ...
The term Taiwanese first came into use after World War II. In 1949, civil war (the Communist Revolut...
This thesis explores how opera as an imported artform has taken root and develops within the new con...
Guoyue. literally "national music", is a hybrid musical genre that originated from mainland China mi...
[[abstract]]A foreign Henan Opera has survived, changed, and localised and established its Taiwan id...
[[abstract]]ABSTRACT In modern Taiwan, the theory of Peking Opera is divided into three phases. Befo...
With its disputed international status and a recently proindependence government, Taiwan is striving...
[[abstract]]The professional Taiwanese Stage Opera Troupe “Gong-Le-She” first produced Taiwanese Ope...
Gezi Opera is the only kind of opera that uses Yangqin as the accompaniment instrument in the social...
Xing-ju literally means 'New Theatre' in Mandarin and denotes the non-traditional performing style i...
[[abstract]]This thesis is a music research of Kun Opera. The main body of it is based on “The Peony...
Th at the performance of traditional Chinese music underwent tremendous stylistic change in the 20th...
Modern opera in China has developed during many important historical periods, such as the Republic o...
Introduction of Western-style drama into China in the early twentieth century produced a new dramat...
Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuri...
[[abstract]]Previous Taiwanese opera style is controlled by the performer’s improvisation. However, ...
The term Taiwanese first came into use after World War II. In 1949, civil war (the Communist Revolut...
This thesis explores how opera as an imported artform has taken root and develops within the new con...
Guoyue. literally "national music", is a hybrid musical genre that originated from mainland China mi...