Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude deserts, winding along roads lined with shops selling Kullu shawls. In these ways and more, textiles are the face of the northern Indian state of Himachal Pradesh. Yet dominant discourses position both the shepherds and weavers of the region as the last hold-outs of endangered traditions. These discourses continue colonial-era assumptions of rural artisans as “primitives” in need of either protection from encroaching industrialization or motivation to modernize. Academic writings, popular visual representations, and government policies also reinforce monolithic identities of herders and weavers. These discourses obscure the diversity of...
In rural Turkey, trousseaux are a personal and socially representative collection of textile practic...
Ladies and gentlemen, I stand before you, a fish out of water. I\u27m not primarily a scholar of tex...
It is my ongoing attraction for, and love of, Indian textiles that brought me back to my country of ...
Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
This thesis, based on twelve months of fieldwork and archival research undertaken in Ladakh, explore...
We travelled to the semi rural outskirts of Srinagar in Kashmir to the home of Muneer, a kani shawl ...
Navajos, or Dine\u27, were dramatically affected by rapid changes in two of the three largest post- ...
India to Appalachia: How Cottage Industries Preserve Textile Heritage examines the role of the hand...
On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to ...
Every June for the last eight years, a coalition of commercial wool buyers, the Diné College Land Gr...
The rich and beautiful products of the weavers of India have been rightly called “Exquisite poetry i...
The haku is a shawl indispensable for depicting the lives of women and men in several districts of t...
During the nineteenth century, exponential growth in sheep pastoralism in Australia and New Zealand,...
Emulation is constant in all forms of art. Debates have arisen regarding the nature of this imitatio...
In rural Turkey, trousseaux are a personal and socially representative collection of textile practic...
Ladies and gentlemen, I stand before you, a fish out of water. I\u27m not primarily a scholar of tex...
It is my ongoing attraction for, and love of, Indian textiles that brought me back to my country of ...
Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
This thesis, based on twelve months of fieldwork and archival research undertaken in Ladakh, explore...
We travelled to the semi rural outskirts of Srinagar in Kashmir to the home of Muneer, a kani shawl ...
Navajos, or Dine\u27, were dramatically affected by rapid changes in two of the three largest post- ...
India to Appalachia: How Cottage Industries Preserve Textile Heritage examines the role of the hand...
On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to ...
Every June for the last eight years, a coalition of commercial wool buyers, the Diné College Land Gr...
The rich and beautiful products of the weavers of India have been rightly called “Exquisite poetry i...
The haku is a shawl indispensable for depicting the lives of women and men in several districts of t...
During the nineteenth century, exponential growth in sheep pastoralism in Australia and New Zealand,...
Emulation is constant in all forms of art. Debates have arisen regarding the nature of this imitatio...
In rural Turkey, trousseaux are a personal and socially representative collection of textile practic...
Ladies and gentlemen, I stand before you, a fish out of water. I\u27m not primarily a scholar of tex...
It is my ongoing attraction for, and love of, Indian textiles that brought me back to my country of ...