This Comment, after a brief review of the nature of the orphan works problem and prior attempts to resolve it in the US, will analyze the current bills\u27 provisions, both with respect to the limitation of remedies that constitutes the proposals\u27 centerpiece, and to the conditions required to qualify for the limitation. I will also compare the US proposals with current European initiatives, and will assess the compatibility of the US proposals with international treaty norms, as well as the cross-border consequences of inconsistent US and EU orphan works regimes. I will conclude with some suggestions for amending the US proposals to enhance their international compatibility and to reconcile the interests of users more fully with those o...
In recent decades, Congress has elongated the term of copyright protection and eliminated the requir...
United States copyrighted works are exploited internationally--or at least artists hope for them to ...
Laurence Peter once said that [o]riginality is the fine art of remembering what you hear but forget...
Orphan works are works that are protected by copyright but whose right holders are not known or cann...
Copyright law seeks to find a balance between opposing interests. On the one side are the interests ...
This Note addresses the problems in copyright law created by orphan works. The Author identifies thr...
The US Copyright Office in the Library of Congress defines orphan works as “copyrighted works whose ...
Arguably one of the most prevalent issues in the field of Intellectual Property law, both internatio...
Changes in technologies and global markets are brought about by digital convergence. Europe s answer...
This chapter analyses Directive 2012/28/EU of the European Parliament and of the Council of 25 Octob...
http://www.elgaronline.com/abstract/journals/qmjip/2-1/qmjip.2012.01.03.xmlFor some time now, the or...
Report and analysis from the U.S. Copyright Office on how requests for the digitization of orphan wo...
The article analyses the situation of orphan works solutions under several different international j...
Currently, lawmakers on both sides of the Atlantic are struggling with the problem of orphan works. ...
The report consisting of two Studies includes a comparative international review of actual and propo...
In recent decades, Congress has elongated the term of copyright protection and eliminated the requir...
United States copyrighted works are exploited internationally--or at least artists hope for them to ...
Laurence Peter once said that [o]riginality is the fine art of remembering what you hear but forget...
Orphan works are works that are protected by copyright but whose right holders are not known or cann...
Copyright law seeks to find a balance between opposing interests. On the one side are the interests ...
This Note addresses the problems in copyright law created by orphan works. The Author identifies thr...
The US Copyright Office in the Library of Congress defines orphan works as “copyrighted works whose ...
Arguably one of the most prevalent issues in the field of Intellectual Property law, both internatio...
Changes in technologies and global markets are brought about by digital convergence. Europe s answer...
This chapter analyses Directive 2012/28/EU of the European Parliament and of the Council of 25 Octob...
http://www.elgaronline.com/abstract/journals/qmjip/2-1/qmjip.2012.01.03.xmlFor some time now, the or...
Report and analysis from the U.S. Copyright Office on how requests for the digitization of orphan wo...
The article analyses the situation of orphan works solutions under several different international j...
Currently, lawmakers on both sides of the Atlantic are struggling with the problem of orphan works. ...
The report consisting of two Studies includes a comparative international review of actual and propo...
In recent decades, Congress has elongated the term of copyright protection and eliminated the requir...
United States copyrighted works are exploited internationally--or at least artists hope for them to ...
Laurence Peter once said that [o]riginality is the fine art of remembering what you hear but forget...