Over the past decade, the field of musique mixte/mixed music preservation grew separate from the digital preservation research (and practice) community. This paper presents potential preservation directions for this repertoire, based on current preservation frameworks, in relation to collaboration at the bit-level, logical-level, and conceptual-level of preservation. It emphasizes the link to practice in a postdigital (i.e. after the ‘digital revolution’) preservation and curation perspective, institutional policies, the implication and redefinition of all stakeholders, and the use of documentation as mediation
This paper seeks to address some of the problems faced by those archiving an area of musical practic...
ABSTRACTBecause thousands of sounds documents are lost every day as a result of the fragility and de...
Electroacoustic music, created in a digital environment without using traditional notation on paper,...
Over the past decade, the field of musique mixte/mixed music preservation grew separate from the dig...
This research provides a theoretical and practical framework for the preservation of digital artifac...
Live musical performances play a powerful role in defining human communities across the globe, yet s...
Until the mid-XXth century, classical music relied on a range of stable practices that guaranteed it...
The availability and the choice of sources are an important aspect of the formation of music history...
Most collections conceived in artistic domains, whether in dance, music or theatre, as they are perf...
International audienceAlthough the desire to preserve music as a performance and to ensure its long-...
In this paper I want to examine some consequences that archival strategies of mass digitized environ...
The centenaries of former chapters of the British Music Society (BMS), established in 1918, have pro...
Electroacoustic music is inherently transdisciplinary. Crafted in varied environments, in many diffe...
<p>The preservation of artistic works with technological components, such as musical works, is recog...
In post-COVID times we are focusing quite rightly on the plight of our major cultural institutions; ...
This paper seeks to address some of the problems faced by those archiving an area of musical practic...
ABSTRACTBecause thousands of sounds documents are lost every day as a result of the fragility and de...
Electroacoustic music, created in a digital environment without using traditional notation on paper,...
Over the past decade, the field of musique mixte/mixed music preservation grew separate from the dig...
This research provides a theoretical and practical framework for the preservation of digital artifac...
Live musical performances play a powerful role in defining human communities across the globe, yet s...
Until the mid-XXth century, classical music relied on a range of stable practices that guaranteed it...
The availability and the choice of sources are an important aspect of the formation of music history...
Most collections conceived in artistic domains, whether in dance, music or theatre, as they are perf...
International audienceAlthough the desire to preserve music as a performance and to ensure its long-...
In this paper I want to examine some consequences that archival strategies of mass digitized environ...
The centenaries of former chapters of the British Music Society (BMS), established in 1918, have pro...
Electroacoustic music is inherently transdisciplinary. Crafted in varied environments, in many diffe...
<p>The preservation of artistic works with technological components, such as musical works, is recog...
In post-COVID times we are focusing quite rightly on the plight of our major cultural institutions; ...
This paper seeks to address some of the problems faced by those archiving an area of musical practic...
ABSTRACTBecause thousands of sounds documents are lost every day as a result of the fragility and de...
Electroacoustic music, created in a digital environment without using traditional notation on paper,...