In the summer of 2016 a set of tiles with the coat of arms of the Lastanosa Family was located in storage at the Diocesan Museum of Huesca. After restoration in the museum workshops, that set of tiles was recomposed and it was discovered that it was most probably an altar frontal. This article describes the process of restoration and recomposition of the piece and suggests its possible origin and initial location. Furthermore, its iconography and symbolism are analyzed in relation to the Eucharist and to the heraldry regularly used by Vincencio Juan de Lastanosa at his chapel in the cathedral of Huesca.En el verano de 2016 se localizó en los almacenes del Museo Diocesano de Huesca un conjunto de azulejos con el escudo de la familia Lastanos...
It is the aim of this article to problematize the concept of the medieval altarpiece or retable. If ...
[EN] This thesis deals with the need of making a specific analysis of the image of the altarpiece as...
El frontal de altar es una pieza prismática en mármol blanco jaspeado que forma parte del altar mayo...
The aim of this article is to study from a historical and iconographic point of view the main altarp...
This article analyses several and different types of painted decorations shaped over the walls of th...
This article recovers the original altarpieces program that were built in the basilica of St. Ignati...
El claustro de San Pedro el Viejo de Huesca conserva un legado artístico con fuertes implicaciones l...
[EN]: The aim of this study is to offer a vision of the liturgical furnishings of Cathedrals in rela...
Museo de la catedral.-Anónimo Español.- Su campo presenta una decoración cuadripertada con hojas y z...
[EN] This study aims to show the different types, painting styles, materials and techniques used in ...
The early development of the altarpiece gave rise to different solutions. One of them, focus...
This article examines the restorations undertaken by Manuel Lorente Junquera, chief architect of the...
Este artículo pretende abrir una línea de trabajo en la que confluye el área de la restauración y la...
Pies de la iglesia. A la derecha de la puerta de acceso a la nave.-Anónimo andaluz.- Fragmento de fr...
The present article proposes to revise the interpretations that to date exist about the murals of th...
It is the aim of this article to problematize the concept of the medieval altarpiece or retable. If ...
[EN] This thesis deals with the need of making a specific analysis of the image of the altarpiece as...
El frontal de altar es una pieza prismática en mármol blanco jaspeado que forma parte del altar mayo...
The aim of this article is to study from a historical and iconographic point of view the main altarp...
This article analyses several and different types of painted decorations shaped over the walls of th...
This article recovers the original altarpieces program that were built in the basilica of St. Ignati...
El claustro de San Pedro el Viejo de Huesca conserva un legado artístico con fuertes implicaciones l...
[EN]: The aim of this study is to offer a vision of the liturgical furnishings of Cathedrals in rela...
Museo de la catedral.-Anónimo Español.- Su campo presenta una decoración cuadripertada con hojas y z...
[EN] This study aims to show the different types, painting styles, materials and techniques used in ...
The early development of the altarpiece gave rise to different solutions. One of them, focus...
This article examines the restorations undertaken by Manuel Lorente Junquera, chief architect of the...
Este artículo pretende abrir una línea de trabajo en la que confluye el área de la restauración y la...
Pies de la iglesia. A la derecha de la puerta de acceso a la nave.-Anónimo andaluz.- Fragmento de fr...
The present article proposes to revise the interpretations that to date exist about the murals of th...
It is the aim of this article to problematize the concept of the medieval altarpiece or retable. If ...
[EN] This thesis deals with the need of making a specific analysis of the image of the altarpiece as...
El frontal de altar es una pieza prismática en mármol blanco jaspeado que forma parte del altar mayo...